Manolo Pavón

Movies

Los domingos que quedan
Director
August 1993. Dani has just turned 13. His family moves to a house in the suburbs. New school, new friends, new challenges. The beginning of a new life. But the discovery of an abandoned box in his new closet will take Dani on the journey of his life. A box keeping Miguel’s past; his dreams, tears, and worries, makes Dani confront his stand on his own future, considering that perhaps the weirdos are the rest, the bigots, not him.
Pain and Glory
Still Photographer
Salvador Mallo, a filmmaker in the twilight of his career, remembers his life: his mother, his lovers, the actors he worked with. The sixties in a small village in Valencia, the eighties in Madrid, the present, when he feels an immeasurable emptiness, facing his mortality, the incapability of continuing filming, the impossibility of separating creation from his own life. The need of narrating his past can be his salvation.
Julieta
Still Photographer
The film spans 30 years in Julieta’s life from a nostalgic 1985 where everything seems hopeful, to 2015 where her life appears to be beyond repair and she is on the verge of madness.
Palm Trees in the Snow
Still Photographer
Spain, 2003. An accidental discovery leads Clarence to travel from the snowy mountains of Huesca to Equatorial Guinea, to visit the land where her father Jacobo and her uncle Kilian spent most of their youth, the island of Fernando Poo.
Rubita
Cinematography