Lucila Presa

Baraja feels like a useless and tired survivor. Political and social disappointment, long reclusive hours and dejection bring an omnipresent violence in a man that doesn't believe in anything or anyone anymore and fights as much against everybody as he does against himself.

La Negra and Vicenta are two homeless women. After losing their place and belongings, they meet Pola, a younger woman who is starting out in a previously unknown reality. The three women accompany each other revealing the complexities of being a woman, being older and living on the street.

In 1972, Carlos Mathus's provocative play 'La lección de anatomía' opened in Buenos Aires. He thus became a renowned author and director, and the play had an international uninterrupted run of thirty years. More than forty years later the author asks himself about the current relevance of the play and embarks on the adventure of a revival, an odyssey that will take a definite toll on his spirit, his health, and the work itself.

In 1972, Carlos Mathus's provocative play 'La lección de anatomía' opened in Buenos Aires. He thus became a renowned author and director, and the play had an international uninterrupted run of thirty years. More than forty years later the author asks himself about the current relevance of the play and embarks on the adventure of a revival, an odyssey that will take a definite toll on his spirit, his health, and the work itself.

Two brothers return to Pinamar off-season to scatter the ashes of their mother and sell the family apartment. There, they are received by Laura, a beautiful young local who was Miguel's childhood friend. Among music, drinks and games, she awakens the desire of the brothers and turns what seemed like a trip that revolves around death into an adventure that connects them to the memory of those summers.

In the present, in Spain, Miguel's mind, affected by a brain disease, seems cloistered in the past, in Argentina, in the seventies, when he risked his life for his ideals. He is obsessed with finding a woman named Diana. Mario, his son, who has been away from Miguel for a long time, now feels compelled to unravel the mystery of a name that, like a curse, pursues his father.