Raisa Lisova

The thirst for a miracle lives in every person. The hero of the film, Fedor, witnesses an accident, as a result of which people close to him die. He decides that he was not saved by chance and now must change his life. Fedor is trying to live the way Orthodox hermits lived, tormenting himself with prayers and fasts. In this new world, he finds a guide - Father Hilarion. The hermit finally has hope that he will soon become an eyewitness of Revelation. But Father Hilarion is being killed absurdly and senselessly. Having experienced deep despair, Fedor will return to the people, experience love and jealousy, hatred and fear. And only when he reaches the edge - having decided to kill - will he become a witness of a miracle...

The story takes place in a small village on the beach of Sea of Azov at the beginning of 1960s. Adolescents passionately dream of love about which they have heard from their elder experienced friends. 16 year-old Ignat is the first to find out what the real feeling is. His love for an adventuress who pretends to be a singer from capital becomes destructive.

On the same day, Andrei's wife Nina asks for a divorce, his colleague Natasha tells him she's attracted to him, he's assigned a new project under the direction of Philip (a well-dressed, authoritative, and even arrogant stranger who keeps touching him), and he fights a gang of homophobes to protect a young gay man, Oleg. The next day, Philip takes Andrei away from the office on an odyssey into a space that is charged with spirituality and homoeroticism. Philip is no businessman, and the disclosure of who he really is forces Andrei into a series of choices that involve Natasha, Nina, belief, and love.

A man tries to come to terms with his father's death and to deal with the mundane details of his burial in a society cut off from spirituality.

The first secretary of the regional committee, Makhonin, sums up after the meeting of the party's general secretary with the regional economic and party activists. At the same time, he reports to those who allowed themselves critical speeches at this meeting. Central television accidentally records this “debriefing”, finding the material interesting send the film to Moscow by plane. Makhonin finds out about this and, frightened of the consequences, decides to return the plane and destroy the film at all costs...