Carlo Cucchi

Aboard a ship early in the 20th-century, a middle-aged Italian tells his story of love to a Russian.

Fresh out prison, Tiberio reconnects with his old partners in crime, Michele Ferribote and Peppe the Panther, only to realise that a lot has changed--including crime--after twenty years. Can he cope with this new reality?

Based on 'Il fu Mattia Pascal', one of Pirandello's many stories concerning the transitory nature of the intangibles "truth" and "identity". Mattia Pascal is a downtrodden average man, treated like trash by his fiancée, scorned by his associates, and cheated out of his inheritance by contemptuous relatives. The dispirited Pascal heads to Monte Carlo, accruing a fortune and also assuming the identity of a less fortunate gambler who killed himself. The "new" Pascal is treated with a dignity and respect that overwhelms him--and nearly kills him.

The young Vittorio Pieroni throws himself from a railway overpass when a train is passing by; escaped suicide and rescued by an ambulance, remembers the circumstances that led him to commit that gesture

Since her husband pronounced her frigid on her wedding night, Antonia De Angelis has been an invalid. When he disappears, she believes him dead: she leaves her sickbed and takes over his business, traveling to see clients. She discovers her husband's passions, his political writing, mistresses, and his indifference to the peasants on her family's land. The husband is forced to watch from a distance as his wife blossom socially in his absence; then the plot thickens.

A woman with psychic powers has a vision of a murder that took place in a house owned by her husband.

By day, Ovidio (Joe Dallesandro) and his two friends work at a data center. After work, they blow off steam by committing random acts of savage violence, swiftly graduating from sparking a riot at a football game to vehicle theft, rape, and murder. The police are convinced this recent spate of crimes is politically motivated, but world-weary veteran Commissario Santaga (Enrico Maria Salerno) suspects a far more terrifying explanation: that these young men are motivated by nothing more than boredom and disaffection at civilized society. As Ovidio's behavior escalates, a psychological game of cat-and-mouse ensues between the two adversaries, building towards a shocking final confrontation.

A musician witnesses the murder of a famous psychic, and then teams up with a fiesty reporter to find the killer while evading attempts on their lives by the unseen killer bent on keeping a dark secret buried.

In 1848, as Italy becomes engulfed in a bubbling revolution to finally get rid of the ruling Austrians, a patriotic prisoner named Cainazzo begins to wonder if he will soon get the chance to see the revolution in action away from his prison cell. Suddenly, a cannonball comes flying through the air and knocks the main wall of the prison down. Excited to have a chance to see the change taking place in person, Cainazzo hits a bumpy road when one of his former fellow prisoners yells out to all the revolutionary gangs that Cainazzo is not a patriot, but is in fact a traitor!

Roberto, a drummer in a rock band, keeps receiving weird phone calls and being followed by a mysterious man. One night he manages to catch up with his persecutor and tries to get him to talk but in the ensuing struggle he accidentally stabs him. He runs away, but he understands his troubles have just begun when the following day he receives an envelope with photos of him killing the man. Someone is killing all his friends and trying to frame him for the murders.