Pascal Marti

A woman’s last phone conversation with her lover, who now loves someone else.

In the aftermath of WWI, a young German who grieves the death of her fiancé in France meets a mysterious French man who visits the fiance’s grave to lay flowers.

A timid young grad student madly in love with her scientist boss offers her body to his research.

Antoine and Laurent, old friends, spend their vacation in Corsica with their respective daughters: seventeen-year-old Louna and eighteen-year-old Marie. One evening at the beach, Louna seduces Laurent. Louna is in love, but for Laurent it was nothing more than a momentary distraction. Without revealing her lover's name, Louna confides in her father, who tries by any means to discover who his daughter's lover is. How long will the secret be able to be kept hidden?

A young woman makes a surprising discovery about the wife of her late best friend.

Isabelle, a 17-year-old student, loses her virginity during a quick holiday romance. When she returns home, she begins a secret life as a prostitute for a year.

Yann, a cook, and Nadia, a waitress and mother of 9-year-old child, decide to risk everything on the purchase of a restaurant. With plenty of talent, energy, love and dreams, but no finance of their own, they find themselves forced into a jungle of financing and bank loans that quickly overwhelms them. To bail them out, Nadia has to take a job in Canada, while Yann is forced to stay behind to save the restaurant. Together, he and the child confront a relentless avalanche of creditors, an uncaring system and the daily grind from which there is no respite… Yann finally understands that his only chance of salvation lies in joining his lover – as well as reuniting mother and child – by following Nadia to Canada and a better life.

Olivier Assayas, Gus Van Sant, Wes Craven and Alfonso Cuaron are among the 20 distinguished directors who contribute to this collection of 18 stories, each exploring a different aspect of Parisian life. The colourful characters in this drama include a pair of mimes, a husband trying to chose between his wife and his lover, and a married man who turns to a prostitute for advice.

Rosario Tijeras has been abused by men all her life, initially by her stepfather. Years later, she works as a paid assassin, seducing men and killing them when they least expect it. She meets Emilio, a wealthy womanizer, and his best friend, Antonio, at a nightclub, and starts an affair with Emilio despite Antonio's growing feelings for her. But circumstances bring her closer to Antonio, until her past catches up with her in a devastating way.

A humble copy editor becomes a personal assistant to her favorite actress and eventually loses herself both in the actress' demands and her own ego.

'Kurt' claims to be a sales rep. He also claims to be English in spite of his heavy Italian accent. Kurt is an habitual liar and a dangerous driver, at the very least. In the south of France he meets Léa, age 16. Between his increasingly strange dates with Léa, Kurt engages in a number of armed robberies, some successful, some not... The police are perplexed by a series of crimes including disappearances and a murder. They conclude that they are dealing with a madman... After he proposes, Léa breaks up with Kurt. The attempt to find a new girlfriend leads to a shooting by Kurt, now calling himself André. Léa's information identifies Kurt/André as Roberto Succo, psychiatric patient and parental murderer. The police hunt for Roberto covers three countries.

Filmmaker William Klein takes on Handel’s Messiah and has created a concert film that mixes the sacred with the profane. Performed in its entirety, the oratorio provides a narrative of Christ’s nativity, passion and resurrection juxtaposed against images of absurdities and abuses against the human species across the world. The film reveals a wide array of worshippers from the Bodybuilders of Christ to the Lavender Light Gay and Lesbian Interracial Choir to the Dallas police choir.

A philosophy teacher restless with the need to do something with his life meets a young woman suspected of driving an artist to his death. He finds the very simple Cecilia irritating but develops a sexual rapport with her. Obsessed with the need to own and tormented by her inability to respond to him, he becomes increasingly violent in a quest he can't name - a quest that slowly begins to undermine his certainties.

Raoul Peck directed this French-German-Haitian drama set in Manhattan where medical examiner Chase Dellal (Geno Lechner) isn't happy with the diminishing aspects of her life: Not only does she face political pressures to soft-pedal her testimony, her marriage to a judge (Bob Meyer) is collapsing. Suddenly, new options appear after deposed Haitian politician Dimitri (Jean-Michel Martial) re-enters her life. Playwright Israel Horowitz has a role in this film as morgue cop Timothy.

Dah and Jocelyn come from Benin, Africa, to coach their rooster, "S'en fout la mort", for an illicit cock-fight in the basement of a restaurant.

The film takes the form of a documentary report in which the director Claire Denis follows Les Têtes Brulées, a group of five musicians from Yaoundé in Cameroon, as they tour France.

A French family is shown as they go through the daily routines of life. Arguing, feasting, crying, and yearning for love are just some of the human emotions encountered. The mood wavers between excessive noise to silence while those not participating in the conversations eavesdrop.

In a routine look at what it means to finally leave adolescence behind — even in one’s mature years — this series of mood swings and sequences focuses on two grown men. Francois (Jean Francois Stevenin, the director) and Leo (Yves Alonso) are old friends, and at one point they decide to go out and search for one of their childhood buddies, the brunt of several of their practical jokes. In true form, the men opt for playing yet another practical joke on their friend, but their plans backfire when his wife Helene (Carole Bouquet) comes into the picture instead. Her presence forces them to reconsider their shenanigans in a new light.

In the woods, a 13-year-old boy is grabbed by an escaped convict and told to bring money later that day. The boy does as he's told, only to be attacked by the convict's partner. A murder ensues, and through happenstance, the murderer and the boy's mother form an alliance. All this takes place in four days during which the boy has his first communion, his separated parents face each other amidst grandmother's hopes they'll reunite, the grandfather just wants to go fishing, the school's chaplain complains about the boy's behavior, and the convicts' shared girlfriend comes, gun in hand, to help them escape to Tangier. The mother's surprising decisions complete the story.

Orgon is a man of property duped by the false piety of the penniless Tartuffe. Orgon takes him into his house, believing him a paragon of virtue. Orgon orders his daughter to reject her fiancé and marry Tartuffe. First Dorine, the family servant, tries a strategy to avert the marriage; then Orgon's son tries his hand. They anger Orgon, and to prove paternal power, he disinherits his son and makes Tartuffe his heir. Next Orgon's wife tries to bring her husband insight, a stratagem that partially backfires. With the bailiff at the door ordering Orgon to vacate his own home and with Tartuffe at court to prove Orgon's a traitor, all seems lost.

Lucia and Elena are best friends since childhood. They take a car trip from Paris to the country. Their conversations are overtly intimate, but more revealing is their tacit understanding of each others' personality and desires.

Lena, the operator of a lingerie shop where she models the merchandise for some of her male customers in order to make a sale, is approached by a mysterious woman.