Christophe Odent

In the middle of a performance at la Comédie-Française, an actor dies on stage, poisoned. Martin, member of the troupe and friend of the victim, becomes the center of everyone’s attention. Suspected by the police, he’s also chased by a mysterious organization, the Green Perfume, that seems to have ordered the murder. While leading his own investigation, Martin receives the unexpected help of Claire, an eccentric cartoonist in need of adventure. This unlikely duo will live an adventure across Europe to foil the plans of the mysterious Green Perfume.

20-year-old Margaux makes the acquaintance of 45-year-old Margaux: they have a lot in common – so much so that it turns out they are one and the same person, at two different ages and stages of their life…

Vincent and Nefeli just moved in together. They're best friends and swore to never fall in love again. That is until Vincent meets Julie.

In 1930s France, two sisters who are thought to be able to communicate with ghosts meet a visionary producer while performing in Paris.

All the people in this countryside area, can count on Jean-Pierre, the doctor who auscultates them, heals and reassures them day and night, 7 days a week. Now Jean-Pierre is sick, so he sees Natalie, a young doctor, coming from the hospital to assist him. But will she adapt to this new life and be able to replace the man that believed to be irreplaceable?

Benjamin is meant to be a great doctor, he’s certain of it. But his first experience as a junior doctor in the hospital ward where his father works doesn’t turn out the way he hoped it would. Responsibility is overwhelming, his father is all but present, and his co-junior partner, a foreign doctor, is far more experimented than he is. This internship will force Benjamin to confront his limits… and start his way to adulthood.

Drawing some intriguing parallels between the work of the prostitute and that of the psychiatrist-both have clients, both charge for sessions, both take on roles that serve the needs, psychological or otherwise, of those they serve, Jeanne Labrune's drama stars Isabelle Huppert and Bouli Lanners as, respectively, Alice, a disaffected call girl and Xavier, a shrink with a crumbling domestic situation.

In 19th-century France, a man (Thomas Coumans) magically has his wishes come true but at a price that shortens his life.

The tough lives of two ordinary individuals: Alex, an accountant and his wife Béatrice, a taxi driver.

From the mean streets of the Belleville district of Paris to the dazzling limelight of New York's most famous concert halls, Edith Piaf's life was a constant battle to sing and survive, to live and love. Raised in her grandmother's brothel, Piaf was discovered in 1935 by nightclub owner Louis Leplee, who persuaded her to sing despite her extreme nervousness. Piaf became one of France's immortal icons, her voice one of the indelible signatures of the 20th century.

State secrets, sincere convictions, ecstatic crowds, a regal lifestyle, prying journalists, suspicious disappearances: what goes on behind the scenes in the halls of power or the daily life of a President.

In Paris, the international police force and the Russian mafia are chasing Anthony Zimmer, an intelligent man responsible for laundry of dirty money in France. Zimmer had extensive plastic surgery, and his new face and voice are completely unknown. The only means to reach Zimmer is through his beloved mistress Chiara, who is under surveillance of the police and the mobsters. While traveling by train to the country nearby Nice, the common man François Taillandier, who has the same body shape of Zimmer, is select by Chiara as if he were Zimmer and used as a bait to lure those that are pursuing her. When Taillandier is chased by the professional Russian killers, he runs the French police when the real situation begins to be disclosed to him. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Claire, eleven years, carries with it a big secret. But neither her daddy nor anybody else will ever know. Except perhaps Eric, playing her boyfriend, who is not afraid of Uncle Etienne.

The film is about the French film industry from 1942 to 1944 during the Nazi occupation. The film focuses on assistant director and resistance fighter Jean Devaivre and screenwriter Jean Aurenche. Aurenche is on the move so that he doesn't have to write anything collaborationist. Devaivre is in dangerous political activity. Devaivre also works for the German production company Continental where he is respected. On the other hand, Aurenche's scriptwriting doesn't help how he lives and he is a womanizer which causes him to procrastinate.

Françoise Barnier, the film's heroine, is a mother. One day, she stole something. She was in dire straits but no more so than usual. She was not in debt. She had always refused the degradation of excessive debt and charities, attempting to live in line with the rules laid down by society and the law. We follow her journey through the judicial institution. Here, two ideas of justice and law collide.

Jean-Pierre (Jacques Villeret), un attaché humanitaire qui travaille au ministère des Affaires Etrangères, accepte de reconduire un jeune clandestin (Lorant Deutsch) dans son pays d'origine. Celui-ci appartient à la tribu des Hommes Gris d'Irghiz, réfugiés depuis la préhistoire dans une cité interdite du Haut Atlas.

Such an inconsequential event - the unfortunate purchase of a package of cling film - reveals the character and behavior of a small group of individuals caught up in the chaos of today's society. Though it creates arguments and inner questioning, this event - and its various consequences - also creates bonds.

A bistro counter will decide the fate of two women. The first, Marie, the owner of a cafe for forty years in a Breton village, wants to realize her dream and go to the city. The second, Joelle, wants to leave town for the countryside.

A famous sprinter considers quitting competition, when he gets to meet Tonka, an Indian woman living in a big advertising coke can near Roissy Charles De Gaulle airport. She is naturally talented for running, and the sprinter decides to train her to become a sprinter like him. As they fall in love, Tonka cheers him up, and then tries to pursue him to take over competition.

Directed by Pierre Lary. With Mireille Darc, Christophe Odent, Jean-Marie Winling, Hugues Boucher.

A doctor learns some things he never expected to know as he searches for a friend on a mission of mercy in this drama. Pierre Feldman (Jean-Yves Dubois) is a French physician who visits the African nation of Port Djema in hopes of finding a close friend and colleague. Port Djema is being torn apart by a bloody civil war, and Pierre's friend, a fellow doctor, went there as a medical volunteer. He's since disappeared, and Pierre hopes to track down his friend and a child under his care. As Pierre is plunged deeper into the nation's civil unrest, he becomes acquainted with Alice (Nathalie Boutefeu), a cab driver who serves as Pierre's guide and appears to have known his friend; and Jerome (Christophe Odent), a French official in Port Djema who seems to know more than he's willing to tell about the fate of a number of French citizens. Port Djema earned a Silver Bear for director Eric Heumann at the 1997 Berlin International Film Festival.

In a time of war and disease, a young officer gallantly tries to help a young woman find her husband.

Into the solitary life of middle-aged hitman, Victor Meynard, come two people: Antoine, a youth who becomes Victor's apprentice, and Renée, a bold thief Victor's been hired to kill because she cheated a mobster. When circumstances prevent Victor from killing her, the gangster sends two more teams to do it (and to dispatch Victor and Antoine). Victor decides to help Renée, and the unlikely trio ends up at his house with his temperamental mother; there, as they hide out, Victor's attraction to Renée grows, she discovers his vocation and fears he's going to kill her, and an ultimate showdown with their hunters is inevitable.

In this somewhat literary exploration of the meaning of romance, loosely based on the works of Henry James, five modern-day couples gather at a country estate to mark the anniversary of their long friendship. Their romantic maneuverings, past and present, are too complex to summarize here. However, it is clear that they love to talk about love, and will do so endlessly, given the slightest opportunity.

Even among bombers and murderers, there is a social ladder, a hierarchy to climb. Jeremie is a mere bomber who blows up people and places for mobsters in Paris. He may not look it, scruffy lad that he is, but he is a sensitive fellow, and he feels his lowly status keenly. If only he could graduate to the ranks of hitmen, who are honored in his world, perhaps then he would feel more like somebody. He finally gets his chance when he receives instructions to kill the eminent hitman Max, who knows too much to be left alive. Instead of planning a cool and distant hit, Jeremie gets to know his quarry personally and thereby gets entangled in a mass of conflicting allegiances. Max has one more assignment and has asked Jeremie to help him with it. The hero-worshipping boy can't bring himself to knock of this classy guy. However, just having such an inept apprentice as Jeremie around is enormously dangerous for the soon-to-be-retired killer.

Composed entirely of literary quotations from many different sources and from several historical periods, the loose narrative concerns a drifter found by a rich woman who soon falls in love with him. A drowning accident takes place and the drifter dies, but some time later he reappears in the woman’s life looking for a job. Or could it be the man’s twin brother?

Sandra, a schoolteacher, would like to control every moment of a life she finds too banal. Even if she seems to have found an ideal in love, she takes two lovers, in the person of Pierre, ordinary but in love, and of Blaise a splendid black photographer.

January, 1920. 350,000 French soldiers remain missing in action. Major Dellaplane tirelessly matches the dead and the wounded with families' descriptions. Honor and ethics drive him; he hates the idea of "the unknown soldier." Into his sector, looking for her husband, comes a haughty, politically connected Parisian, Madame Irène de Courtil. Brusquely, Dellaplane offers her 1/350,000th of his time, but as their paths cross and she sees his courage and resolve, feelings change. After he finds a surprising connection between her missing husband and a local teacher, Irène makes Dellaplane an offer. This man of action hesitates: has he missed his only chance?

A young teacher, Pierre, arrives in Africa in the middle of the small French community. Pierre lets himself be won over by the physical and moral torpor that reigns in this micro-society.

The film is a novelized biography of François Villon (1431-1463), known as the Wandering Poet, who led a troubled life due to the fact that he supported the free expression of people in a coercive climate.

Fifteen-year-old Suzanne seeks refuge from a disintegrating family in a series of impulsive, promiscuous affairs. Her fulsome sexuality further ratchets up the suppressed passions of her narcissistic brother, insecure mother and brooding, authoritarian father.

The protagonist is Carmen X, a female member of a terrorist gang. She asks her uncle Jean, a washed-up film director if she can borrow his beachside house to make a film with some friends, but they are in fact planning to rob a bank. During the robbery she falls in love with a security guard. The film intercuts between Carmen's escape with the guard, her uncle's attempt to make a comeback film, and a string quartet attempting to perform Beethoven.

The story of Jean Valjean, a Frenchman convicted of minor crimes, who is hounded for years by an unforgiving and unrelenting police inspector, Javert.