Editor
Riki and Luca are two young men in search of the meaning of their life; they find their answers in the powerful love they feel for each other. A run against the time keeps their destiny on the edge of the abyss. Riki and Luca are often bullied by a nazi-skin gang that makes their life impossible. The two decide to rebel against the gang and they star challenging them, until one day the bullies set a trap for Luca and brutally beat him up, sending the young man to the hospital, close to death. This tragic event generates different reactions among Riki’s and Luca’s parents and Luca’s mother decides that for Riki it will be impossible to come to the hospital in order to stay next to the suffering Luca. From that moment on nothing is like it used to be and the love between the two young men will turn into Luca’s parents hate and rancor towards Riki.
Editor
La Moda del Liscio tells a composite story, articulated around major themes (the dance master, the orchestral players, the singer, the club manager, the TV, the epigones of an era) that constitute the epic of ballroom dancing, its anti-heroic dramaturgy, its somewhat vague and kitsch aesthetic. It is a choral story, populated by great figures but above all by orchestras, because ballroom dancing is not a genre for soloists. And there has never been any talk, with regard to ballroom dancing, of 'concerts', but only of 'shows', also choral, each with its own genre dynamics and costumes in which America is always cited. This documentary, through repertoires and interviews, with a focus on the private dimension of those who were the protagonists, wants to reconstruct not a history but a system of memories, an intimate and at the same time public memorial of a country that was happy.
Editor
An old shepherd lives his last days in a quiet medieval village perched high on the hills of Calabria, at the southernmost tip of Italy. He herds goats under skies that most villagers have deserted long ago. He is sick, and believes to find his medicine in the dust he collects on the church floor, which he drinks in his water every day.
