Director
Two unemployed young people cannot carry out their projects for lack of money. They both need friendship and love. They decide to prostitute themselves. Unfortunately, what appeared to be an easy solution quickly becomes a dead end.
Director
Luc ou la part des choses is an ambitious and effective film about the story of a young man who "discovers" and assumes his homosexuality.
Editor
It is of certain lives as of these "dreams in equilibrium" that a single gesture, the slightest event, however commonplace they may be, may come to shatter.
Producer
It is of certain lives as of these "dreams in equilibrium" that a single gesture, the slightest event, however commonplace they may be, may come to shatter.
Writer
It is of certain lives as of these "dreams in equilibrium" that a single gesture, the slightest event, however commonplace they may be, may come to shatter.
Director
It is of certain lives as of these "dreams in equilibrium" that a single gesture, the slightest event, however commonplace they may be, may come to shatter.
Editor
Two friends are very close in college and in everyday life. During a pursuit between the car driven by one and the motorcycle of the other, an accident occurs; the motorcycle skids and its driver is killed. Karl, the survivor, begins to remember: their tennis games, their mutual friend, their games, their lessons, their holidays and their discussions. The film intersects all these memories to try to identify the deep friendship that bound the two teenagers and takes place in the present of Karl and the friend and in the past of memory. After having done everything to find his friend, even going so far as to dig him up in the cemetery in the middle of winter, Karl, appalled by his "murder", becomes more and more schizophrenic. He enters the hospital and stays there until the end of his days, fixated on this accident which turned his life upside down.
Idea
Two friends are very close in college and in everyday life. During a pursuit between the car driven by one and the motorcycle of the other, an accident occurs; the motorcycle skids and its driver is killed. Karl, the survivor, begins to remember: their tennis games, their mutual friend, their games, their lessons, their holidays and their discussions. The film intersects all these memories to try to identify the deep friendship that bound the two teenagers and takes place in the present of Karl and the friend and in the past of memory. After having done everything to find his friend, even going so far as to dig him up in the cemetery in the middle of winter, Karl, appalled by his "murder", becomes more and more schizophrenic. He enters the hospital and stays there until the end of his days, fixated on this accident which turned his life upside down.
Director
Two friends are very close in college and in everyday life. During a pursuit between the car driven by one and the motorcycle of the other, an accident occurs; the motorcycle skids and its driver is killed. Karl, the survivor, begins to remember: their tennis games, their mutual friend, their games, their lessons, their holidays and their discussions. The film intersects all these memories to try to identify the deep friendship that bound the two teenagers and takes place in the present of Karl and the friend and in the past of memory. After having done everything to find his friend, even going so far as to dig him up in the cemetery in the middle of winter, Karl, appalled by his "murder", becomes more and more schizophrenic. He enters the hospital and stays there until the end of his days, fixated on this accident which turned his life upside down.
Editor
Jean. François. Xavier. Three names, three figures that personify the triple image of a being who lives before our eyes the stages of his evolution and his liberation from sex, woman and death. Freed from his constraints, he becomes himself and, in his eyes, the woman is no longer the provocative element of a certain guilt of which he carried the weight.
Director
Jean. François. Xavier. Three names, three figures that personify the triple image of a being who lives before our eyes the stages of his evolution and his liberation from sex, woman and death. Freed from his constraints, he becomes himself and, in his eyes, the woman is no longer the provocative element of a certain guilt of which he carried the weight.
