Mario Albertelli

Movies

Peppino e la vecchia signora
Director of Photography
Totò, Peppino e i fuorilegge
Director of Photography
Antonio and Peppino live in a small town in central Italy: Peppino is the barber, Totò is maintained by the rich but avaricious wife Teresa.
Toto, Peppino, and the Hussy
Director of Photography
Antonio, Peppino and Lucia are three brothers who live in the country near Naples. Lucia's son, Gianni, goes to Naples to study medicine, but there he knows a ballet dancer. They fall in love and, when she goes to Milan, Gianni follows her. Informed of this and afraid that their nephew will stop studying, the three Caponi brothers leave for Milan to persuade Gianni to come back and continue studying and abandon the "Malafemmina" (bad girl).
Mother's Heart
Cinematography
An unworthy nephew, with the help of a girl who seduces the young guardian, robs the aunt of the family jewels. He also manages to put the blame for the theft on the caretaker, engaged to a young woman who is actually the woman's natural daughter. The thief also tries to blackmail his aunt by threatening to reveal the truth after so many years, but a commissioner manages to prove the innocence of the suspect and the guilt of his nephew.
Mother's Heart
Camera Car
An unworthy nephew, with the help of a girl who seduces the young guardian, robs the aunt of the family jewels. He also manages to put the blame for the theft on the caretaker, engaged to a young woman who is actually the woman's natural daughter. The thief also tries to blackmail his aunt by threatening to reveal the truth after so many years, but a commissioner manages to prove the innocence of the suspect and the guilt of his nephew.
Papà Pacifico
Director of Photography
After she inherits a huge sum of money, a girl suddenly leaves a working-class man that she previously used to fancy.
Frine cortigiana d'Oriente
Cinematography
The Man From Cairo
Director of Photography
"The Man from Cairo", a Michaeldavid production for distribution by Lippert, with Ray Enright the only credited director on the film print, finds Mike Canelli, the man from Cairo, nosing around Algiers with mystery surrounding the people he meets and the things he does and has done to him, all deriving from the war-time theft of $100,000,000 in gold which lies somewhere in the adjacent desert. People representing many nationalities and reasons are also seeking the gold. It boils down to a battle between Canelli and the original looter aboard a speeding train.
Nerone e Messalina
Director of Photography
Ho scelto l'amore
Director of Photography
A satire of the Cold War, Italian style. Soviet flunkey Boris Popovitc is sent on a goodwill mission to Rome, where he is to deliver a symbolic dove of peace to a group of WW II freedom fighters. Somehow, Boris winds up in Venice minus the dove. As he searches up street and down canal for the missing bird, he meets and falls in love with luscious flower-girl Maria.
The Lucky Five
Director of Photography
Four poor fellows win a luxurious car in a lottery but they have not the money to keep it. Therefore they decide to have it a day each and sell it afterwards. Everyone will spend his own day with the car and get some gratification. Some will get it, others will not. And the fifth poor fellow?
Il segreto delle tre punte
Director of Photography
Vendetta... sarda
Director of Photography
A cook from Sardinia who had emigrated to Milan goes back to his native island thinking he has inherited some money with his uncles death. He finds out he has to avenge his death instead.
My Heart Sings
Director of Photography
Two two-bit singers become thieves to make ends meet. One day during a theft in the house of a music impresario they hear Marco an electrician gifted with a beautiful voice and give him some money to help for his debut as a singer.
Il mago per forza
Director of Photography
In the prison of San Vittore there is, among other detainees, a strange type that they call "Il Cavaliere". The latter suffers a conviction for theft and his fellow prisoners have a certain respect for him.
Ours are coming
Director of Photography
A ruthless businessman wants to bring a penniless nobleman financially on his knees because he wants to marry the man's daughter. It is the family chauffeur who puts things right.
47 Talking Corpses
Director of Photography
Greedy Baron Antonio Peletti refuses to give to his town the heredity left by his father, a box full of precious jewels, which he keeps for himself. The major and the rest of the townspeople therefore organize a trick at his expense: they'll make him believe he is dead, and, in a fake "afterlife", they'll try to convince him to finally show them where the money is hidden to save his soul.
Toto the Sheik
Director of Photography
Antonio is the humble servant of a rich family governed by the Marquis Gastone. He is a young man madly in love with Lulu, but she betrays him, and he desperately enlist in the foreign legion.
Le sei mogli di Barbablù
Director of Photography
Young swain Toto Esposito tries to abduct his beloved to marry her, but he makes a mistake: he kidnaps an ugly woman named Carmela, who loves him--and chases him when he escapes.
Figaro qua... Figaro là
Director of Photography
In the 18th century, Figaro the Sevillian barber is likely to be arrested because he operates his shop on Sundays, which is forbidden.
Totò cerca moglie
Director of Photography
Aunt Agatha writes to Toto, informing him that she won't send him another penny until he is married.
Cenerentola
Director of Photography
1949 movie version of the Rossini opera
Come scopersi l'America
Cinematography
La cigarra
Camera Operator
Soledad, known as "La Cigarra", agrees to sing in Buenos Aires to have the opportunity to meet her liar boyfriend, whom she tries to forget in Rio.
La cigarra
Director of Photography
Soledad, known as "La Cigarra", agrees to sing in Buenos Aires to have the opportunity to meet her liar boyfriend, whom she tries to forget in Rio.
Legge di sangue
Cinematography
"Law of Blood" - Rosa has been engaged for years with Antonio. But Antonio is in the military service and Rosa is seduced by Alberto. Returning to the village, Antonio learns what happened during his absence.
Pronto, chi parla?
Director of Photography
Lucia di Lammermoor
Director of Photography
Gioco d'azzardo
Director of Photography
Tempesta sul golfo
Director of Photography
Giorno di nozze
Director of Photography
Rossini
Director of Photography
The famous composer's life and his career. His love story with Isabella Colbran, the soprano who was to become his wife and the singer in all his operas up to the unfortunate day she lost her voice.
Maddalena... zero in condotta
Director of Photography
A young woman teaches commercial writing and makes her students practice by writing letters addressed to an imaginary recipient from Vienna. One day, the love letter the woman writes to this non-existent man is accidentally sent by one of her students –and falls into the hands of a real person.
La fanciulla di Portici
Director of Photography
During the Spanish occupation of Naples, the people led by Tommaso Aniello - known as "Masaniello" - plot against the Viceroy. The Viceroy's son, under another name, has a son from Masaniello's sister, but his father has already planned a marriage for him with a Spanish patrician against his wishes.
Cose dell'altro mondo
Director of Photography
L'amore si fa così
Director of Photography
In campagna è caduta una stella
Director of Photography
An American starlet inflames two Italian peasants who forget about their respective fiance's. One of them even thinks of marrying her and begins to plan for the engagement banquet. When the girl decides to live the countryside harmony reigns again.
Two Millions For a Smile
Cinematography
An Italian industrialist who has made a fortune in America returns to Italy planning to make a film about a beautiful woman who smiled at him before he left his home country years before.
Ettore Fieramosca
Director of Photography
ETTORE FIERAMOSCA was based on a widely-read literary action epic by Massimo D'Azeglio, published in 1833. Translated to the screen in 1938 by the most important director of the Italian fascist period, Alessandro Blasetti, it was intended to boost current patriotic fervor and pride in the Italian nation, and it contributed to a revival of Italian nationalism.
La fossa degli angeli
Director of Photography