Adrianna Maldonado

In a bustling Mexican household, seven-year-old Sol is swept up in a whirlwind of preparations for the birthday party for her father, Tona, led by her mother, aunts, and other relatives. As the day goes on, building to an event both anticipated and dreaded, Sol begins to understand the gravity of the celebration this year and watches as her family does the same.

In a society where children are not heard and traditions are not to be questioned, the peaceful life of a 5-year-old is disturbed by a terrible event that forces her to find a way to recover peace and save her loved ones.

Manuel is 23 years old, he is independent and his only company is his pitbull dog. One morning he meets Margarita, a woman twice his age and with whom he sleeps in a nearby motel, receiving the first anilingus of his life. Confused between pleasure and fear, Manuel reflects on his prejudices, his masculinity and his identity.

Raúl is seriously ill with COVID-19 in the hospital. His sisters wait at home for a call that will give them news about his state of health.

A place that seems out of time for everyday life, a long line of women waiting. And inside a room, three of them sitting... a cello piece transports them to their own experience of pleasure, body and eroticism. An exploration from a female perspective of the audiovisual and its ability to produce pleasure beyond narrative schemes. Female pleasure, liberation, feminism, gender, appropriation of the body, sexual freedom, women, cello, music, old age.

A young couple will be forced to face their own reality upon the birth of their first daughter, and in the process to awaken the ghosts that had been asleep in their own subconsciousness, to the point of even questioning where the fine line between life or death lies.

A group of friends in a car give a ride to a stranger who will affect their lives indirectly.