Sound
It is the early 20th century on a dystopian Greek island. Hadoula, a widow who lost her husband, loannis Fragkos, at a young age, is a woman who has learned how to survive in a male-dominated and extremely patriarchal society. Hadoula carries a difficult burden within her. Like a baton passed on to her from her mother, and the generations before her, she is meant to accept the belittling and degradation of women. Hadoula reacts. Her personal, internal revolution soon comes forth. The victims of her outburst are the little girls of the island, whom she sets free from the social and economic burden that their existence entails by taking their lives. Her actions will bring her face to face with the law. She leaves her home and escapes to her refuge, nature. But as much as her faith and morals dictate that she did the right thing, her trans-generational trauma follows her everywhere. And the end comes as redemption.
Music
Twelve year old Christos Myrisiotis lives with his mother Eleni on a remote picturesque Aegean island. The boy has been doubly singled out by fate. He has a remarkable musical talent but at the same time is condemned to going blind as a result of a rare disease. Now an eccentric loner, Christos finds an outlet in nature and the dream world of a cave where his heightened hearing enables him to collect natural sounds which he then turns to musical compositions for his violin. His only friends are his classmate Angeliki and the old lighthouse keeper Soursoumis who teaches him not only the violin but also about life in general. Everything changes when the new schoolteacher Maria arrives on the island. She develops a great interest in Christos’ exceptional abilities even though he keeps on being indifferent to school. On her own initiative Maria ensures his participation in a music contest. Christos’ traumatic family and personal experiences cause him to mature as an artist.
