In a World War II German labor camp, five female prisoners on the eve of escape are facing a tough choice: to identify and give away the murderer of a guard officer to the camp directorate or to die on the gallows. The youngest woman is the main suspect as she had been in an illicit relationship with that officer. Only hours remain for the women to make their fateful decision.
Captured in "candid polaroid pictures", the characters of Ravenhill's new play are a former social rebel who served time for murder for political reasons, his ex–girlfriend who made the usual way for many "from hippie to yuppie", a nightclub stripper who is regularly beaten by her boyfriend, a gay man dying of AIDS and a sex slave he bought. This is a play about the vicissitudes of love, which, "without knowing shame", can arise from any "bullshit".
Just yesterday Evgeni Vetrov had a completely different life. He had money, perfect reputation, was respected by his colleagues and most of all - he had love; but apparently he had enemies as well. One day Vetrov's wife was killed, being the only suspect he was soon found guilty. Now the only thing he can do is run, run, in order to find the real killer.
The beautiful Tanya returns to her small mining town, after supposedly working as a model in Moscow. She decides to marry her shy school sweetheart Mishka, who now works in the mine. The miners finally receive some pay, but Mishka still ends up with no money to buy his bride a gift, so he seeks the help of his perpetually drunk buddy Garkusha. Mishka's poor working-class family all help to put on a fine wedding with copious amounts of vodka, even though they are suspicious of Tanya's occupation in Moscow, and of her connection with her Mafia ex-boyfriend Borodin.
