Camera Operator
Poledna's 35mm work Substance, contemplates the material properties and frames of vision of a highly recognizable luxury commodity in a series of extremely close-range and slow tracking shots. A portrait as well as a moving-image still life of heritage-brand golden watch, the film’s modes of representation oscillate throughout thus undermining any stable point of view. The film’s sound is comprised of an re-edit, referring to the practice in popular music of distilling, extracting and repeating elements of an existing track in order to maximize its use value, typically for a dance setting.
Director of Photography
Produced by the Museum of Contemporary Art Toronto; Arts at CERN, the arts program of the European Laboratory of Particle Physics, Geneva, with the support of the Permanent Mission of the United States to the United Nations, Geneva; Sprengel Museum, Hannover, with the support of Niedersächsische Sparkassenstiftung; and New Museum, New York
