Jihad
Dana is on the run with his family. The boat that will smuggle them to Europe is ready for departure but his son, Alan, refuses to leave the truck. The panic rises at Dana and in his desperation he is faced with a terrible choice.
A male director is making a film about the annoying, dominant whiteness of cultural space. But what words do they really use? When two of the women in the team question how they figure themselves, they need a break.
