Aigul Nurbulatova

Tolik, a bread delivery man, lives with his pregnant wife Altynai, his two daughters– Saule who is about to enter college and her younger sister— and a somewhat selfish father. The family is already drowning in debt. Meanwhile, Saule becomes pregnant, and Tolik and Altynai are insulted by her boyfriend′s parents. Tolik goes to complain to his only friend, Baur, but Baur collapses from a heart attack while dancing.

Colored hair, earrings in ears, bright clothes - an image that is very different from the Kazakh standard of masculinity. This is how the main characters of this, members of the Kazakhstani group Ninety One, look like. Many will not find anything unusual in the image of the musicians, however, the group’s popularity among Kazakh-speaking teenagers caused a great indignation of part of society, which led to street protests, disruptions of concerts and pressure from the authorities. The appearance of Ninety One revealed a whole layer of social and cultural conflicts within Kazakhstani society - between urban and rural culture, between traditionalism and globalization, between the vertical of power and personal freedom.

The past must remain in the past. However, old Kasymych returns to the places of his childhood in order to relive again and again the best moments of a bygone life. But what is left of his childhood today? Is anyone waiting for him in the past?

After the passing of her grandmother, a businessman's daughter goes back to her birthplace. After a little while, she receives the visit of her former classmates but their reunion take an unexpected turn. The guests tells her that they need some money to cover the murder they've committed.

After the passing of her grandmother, a businessman's daughter goes back to her birthplace. After a little while, she receives the visit of her former classmates but their reunion take an unexpected turn. The guests tells her that they need some money to cover the murder they've committed.