The plot revolves around the controversial relationship between maid Stefania Chornenko and blueblood Adelia Anger against the backdrop of the provincial Austro-Hungary in 1900. Both Stefania’s parents and Adelia’s mother died during the fire. Adelia’s father adopted neighbors’ orphan. Girls grew up together to become as close as sisters, though Stefania served as the maid. This attachment develops into love-trap: on one hand full of mutual manipulation and jealousy, but equally based on сare and devotion. The illusion of balance is broken when Adelia marries sculptor Petro. Everything gets even more complicated when Joseph, the old love interest of Stefa, returns to town as the priest and married man. Illusions are destined to evaporate and reality comes into focus.
Twenty-five-year-old Vadym earns a living recording and selling all kinds of different sounds; nevertheless, he’d rather exchange his life in Kyiv for a better future in far-flung Canada. Thus, when he gets a generous job offer which might help him realise his dream, he jumps at the chance; he soon sets off to record the sounds of animals indigenous to Ukraine and also a rare bird native to the Carpathians. The situation proves somewhat more complicated when Vadym’s companion on the trip turns out to be his mother… To the sounds of a synthesized music score, debuting Ukrainian director Antonio Lukich unfolds a visually creative road movie, in which he demonstrates a highly unusual talent for constructing tragicomic situations.
When Andrey was 12 years old he could easily hang on a basketball hoop. When he was 14 he could not fit into the photo. Now he is 22 years old and 207 cm height. Being tall is always a trouble. But being tall is not the main trouble of Andrey.
