Tomas Blazukas

Celebrated sleuth Hercule Poirot, now retired and living in self-imposed exile in Venice, reluctantly attends a Halloween séance at a decaying, haunted palazzo. When one of the guests is murdered, the detective is thrust into a sinister world of shadows and secrets.

When a lively young family moves in next door, grumpy widower Otto Anderson meets his match in a quick-witted, pregnant woman named Marisol, leading to an unlikely friendship that turns his world upside down.

When Patrizia Reggiani, an outsider from humble beginnings, marries into the Gucci family, her unbridled ambition begins to unravel the family legacy and triggers a reckless spiral of betrayal, decadence, revenge, and ultimately… murder.

Buddy is a young boy on the cusp of adolescence, whose life is filled with familial love, childhood hijinks, and a blossoming romance. Yet, with his beloved hometown caught up in increasing turmoil, his family faces a momentous choice: hope the conflict will pass or leave everything they know behind for a new life.

In a world where walking, talking, digitally connected bots have become children's best friends, an 11-year-old finds that his robot buddy doesn't quite work the same as the others do.

If there was an award for the most stylish opening scene, it would go to Álvaro Pulpeiro for ‘So Foul a Sky’. A road movie and a immersive report from a Venezuela on the verge of collapse. Inspired by Joseph Conrad’s classic novel ‘Nostromo’, we are led into a twilight world where allegiances change among the travellers under the enormous dome of the sky. Pirates and pilgrims cross tracks, and oil is traded on the black market in the middle of nowhere. Crackling car radios relay an ideological battle of words. Has the oil cast a curse on Venezuela? The country is in the midst of the worst political and humanitarian crisis that South America has experienced in the 21st century. Instead of trying to explain the chaotic situation, Pulpeiro places us in the middle of it. A sensory and cinematic film, where the oil runs like thick, black blood through the arteries of the road network and connects us with some of the people who are trying to make life work beyond law and order.

If there was an award for the most stylish opening scene, it would go to Álvaro Pulpeiro for ‘So Foul a Sky’. A road movie and a immersive report from a Venezuela on the verge of collapse. Inspired by Joseph Conrad’s classic novel ‘Nostromo’, we are led into a twilight world where allegiances change among the travellers under the enormous dome of the sky. Pirates and pilgrims cross tracks, and oil is traded on the black market in the middle of nowhere. Crackling car radios relay an ideological battle of words. Has the oil cast a curse on Venezuela? The country is in the midst of the worst political and humanitarian crisis that South America has experienced in the 21st century. Instead of trying to explain the chaotic situation, Pulpeiro places us in the middle of it. A sensory and cinematic film, where the oil runs like thick, black blood through the arteries of the road network and connects us with some of the people who are trying to make life work beyond law and order.

Artemis Fowl is a 12-year-old genius and descendant of a long line of criminal masterminds. He soon finds himself in an epic battle against a race of powerful underground fairies who may be behind his father's disappearance.