Antonio
The film revolves around the concept of soap opera. Its structure is based on the assumption that Chilean reality does not exist, but rather is an ensemble of soap operas.
Based on real events, 17-year-old Johnny García becomes involved with four older thugs who are planning to rob a money-laundering business masquerading as a video store. As they try to escape, a swarm of exploitative media attention awaits.
Assistant Director
An aged former sailor, ill and confined in his bed, maintains his firm grip on his house and his son, who is having an affair with the widowed next door, through many mirrors displayed in his room and all around the house.
In this film the director's recurring concerns return: the divisions in the Chilean left, and its contradictions between what the director calls the "traditional" and the "revolutionary" left. The problem is exposed through the doubts and obsessions of a strange police chief who cannot establish the limits between critical behavior and militant responsibility.
Assistant Director
A glimpse at the few days and nights in the lives of a brother and sister, Amanda and Tito, in Santiago’s semi-criminal underworld. A rambling portrait of Chilean society.
