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Maija Blåfield

History

Maija Blåfield is a filmmaker and artist from Helsinki, Finland, who moves between documentary film and contemporary art. Her films have been screened at festivals like Hot Docs and Visions du Réel and awarded at numerous film festivals and have been exhibited in galleries and art museums like Kiasma and Frankfurter Kunstverein.

Movies

Director

Finland has the most forest in Europe, but primeval forest has become so rare that it almost feels fictional. Is it now the enchanted forest? And is a commercial forest real? As nature documentaries are manufactured, are they fiction? Scenic View is a nature film about how we look at a forest landscape and also how we look at the reality.

Director of Photography

In Maija Blåfield’s documentary, eight former North Koreans talk about what it was like to watch illegal films in a closed society. In addition to the 'waste videos', South Korean films were also smuggled into the country via China.

Screenstory

In Maija Blåfield’s documentary, eight former North Koreans talk about what it was like to watch illegal films in a closed society. In addition to the 'waste videos', South Korean films were also smuggled into the country via China.

Herself (voice)

In Maija Blåfield’s documentary, eight former North Koreans talk about what it was like to watch illegal films in a closed society. In addition to the 'waste videos', South Korean films were also smuggled into the country via China.

Producer

In Maija Blåfield’s documentary, eight former North Koreans talk about what it was like to watch illegal films in a closed society. In addition to the 'waste videos', South Korean films were also smuggled into the country via China.

Editor

In Maija Blåfield’s documentary, eight former North Koreans talk about what it was like to watch illegal films in a closed society. In addition to the 'waste videos', South Korean films were also smuggled into the country via China.

Director

In Maija Blåfield’s documentary, eight former North Koreans talk about what it was like to watch illegal films in a closed society. In addition to the 'waste videos', South Korean films were also smuggled into the country via China.