Screenplay
Cuviví is the Ecuadorean indigenous name for the upland sandpiper, a wading bird that has special significance for the communities living around the Ozogoche lakes in the middle of the Andes. Each year, these birds migrate south from North America. Around September they pass the Ozogoche lakes, where large numbers then “commit suicide,” plunging from great heights into the ice-cold water. A girl lives near the lake. Her uncle lives in the US, and she might be heading there herself. In the meantime, she awaits the arrival of the cuvivís, few of which have appeared in recent years. The lakes are drying up.
Producer
Cuviví is the Ecuadorean indigenous name for the upland sandpiper, a wading bird that has special significance for the communities living around the Ozogoche lakes in the middle of the Andes. Each year, these birds migrate south from North America. Around September they pass the Ozogoche lakes, where large numbers then “commit suicide,” plunging from great heights into the ice-cold water. A girl lives near the lake. Her uncle lives in the US, and she might be heading there herself. In the meantime, she awaits the arrival of the cuvivís, few of which have appeared in recent years. The lakes are drying up.
Writer
Surprising links between borescopic imagery of an underground Cold War–era bunker and human laparoscopic footage lead this investigation of distance and death to hidden new depths, as a surgeon father in Ecuador and filmmaker son in Belgium connect during COVID-19. Empty cavities, inside the body and under the city, leave space to understand what matters most in life: time.
Editor
Surprising links between borescopic imagery of an underground Cold War–era bunker and human laparoscopic footage lead this investigation of distance and death to hidden new depths, as a surgeon father in Ecuador and filmmaker son in Belgium connect during COVID-19. Empty cavities, inside the body and under the city, leave space to understand what matters most in life: time.
Director
Surprising links between borescopic imagery of an underground Cold War–era bunker and human laparoscopic footage lead this investigation of distance and death to hidden new depths, as a surgeon father in Ecuador and filmmaker son in Belgium connect during COVID-19. Empty cavities, inside the body and under the city, leave space to understand what matters most in life: time.
Cinematography
A Hungarian explorer claims to have discovered a "Gold Library" inside a cave. Lacking evidence, he tries to get the recognition he believes he deserves but struggles to get support from the local governments and religious leaders.
Director
A forgotten box full of memories and found again in the Jeu de Balle square in Brussels takes on a new meaning thanks to the imagination of a filmmaker.
Writer
On April 16, 2016, a devastating earthquake shakes the Ecuadorian coast. Independiente del Valle, a young soccer team from the Sangolquí Valley, invents a new face for soccer by donating the box office from Copa Libertadores tickets. The club joins the solidarity gestures of a united country. For a moment, sport is seized by a spirit that brings it closer to the realm of pure play. What happens, then, when the game stops being just a game? Is something new invented?
Director
On April 16, 2016, a devastating earthquake shakes the Ecuadorian coast. Independiente del Valle, a young soccer team from the Sangolquí Valley, invents a new face for soccer by donating the box office from Copa Libertadores tickets. The club joins the solidarity gestures of a united country. For a moment, sport is seized by a spirit that brings it closer to the realm of pure play. What happens, then, when the game stops being just a game? Is something new invented?
Editor
Its not about secrets, is hiding them.
Producer
Salango is a small parish south of Manabí. What this land means to Ecuador, however, is huge. Its name is associated with the pre-Columbian legacy of the Manta Wancavilca cultures, the humpback whales that arrive each year to mate, the homonymous island and its coral reefs, the great wealth of marine fauna. It is there, in one of the places with the greatest archeological and environmental heritage of our country, where the Polar fishmeal processor has been operating for 35 years. What does not emerge from the idyllic postcards of the area is the foul smell that pollutes the air, the portrait of people sick from the factory's toxic wastes, the disgusting black smoke that flows into the sea directly from the processor pipeline. That is why it is the struggle of the few members of the community who have not given up and demand that Polar leave.
Director
Salango is a small parish south of Manabí. What this land means to Ecuador, however, is huge. Its name is associated with the pre-Columbian legacy of the Manta Wancavilca cultures, the humpback whales that arrive each year to mate, the homonymous island and its coral reefs, the great wealth of marine fauna. It is there, in one of the places with the greatest archeological and environmental heritage of our country, where the Polar fishmeal processor has been operating for 35 years. What does not emerge from the idyllic postcards of the area is the foul smell that pollutes the air, the portrait of people sick from the factory's toxic wastes, the disgusting black smoke that flows into the sea directly from the processor pipeline. That is why it is the struggle of the few members of the community who have not given up and demand that Polar leave.
