Willy Ilizarbe

Disrupt, reject, destroy, avoid: At the interrupted rhythm of the broken photographs that a granddaughter has rescued from her grandfather’s hands, the last piece reconstructs the memory of an older man who has decided to leave behind his life impulses to surrender to sleep and calm. An essay on the act of joining our memories, the illusion of remembering and the freedom to forget.

A theatrical work that talks about the disappeared in the years of political violence in Peru, is taken to present Andean communities. In each place of presentation, the fiction will be confronted with reality.

GABRIEL (50) has terminal cancer and has six months to live. He decides to travel to his grandparents’ town to wait for death and here he meets GLADYS (17), whom the town believes to be miraculous. Between them begin a relationship determined by desire and disease.

This document is a consecutive and linear collection of situations and characters (Mario Poggi, el Hon. Antonio Córdova Quezada) that are appearing without a greater objective than the search itself.

The long fight over the land, which demolished the wall between master and serf, continues to divide Peru to this day. But the 1969 agrarian reform marked a before and after in the country's story - a profound change that Peruvian cinema reflected and encapsulated, creating great imagination we continue to discover today. 50 years after the social experiments of the revolution, we ask ourselves whether Peru really messed up or not with Juan Velasco Alvarado.

Chicama tells the story of César a recent graduate of a teacher's college who has a hard time getting a job, so he accepts a position in a rural school in small mountain town.