Alana Raymond

In a remote village of Afghanistan, Baheer, a young teenager quietly slips out of his house, determined to meet with his best friend before they are both displaced by the chaos of their world.

A cathartic journey that Qais, a Pakistani-Canadian filmmaker embarks on as he traces the life of H.P. Lovecraft, from woodland cemeteries in Rhode Island, to the docks of New York and on to the cobbled stoned streets of Quebec City. A documentary that proves that the truth is weirder than fiction.

Its title riffing on that of Thom Andersen's Los Angeles Plays Itself. Researcher and filmmaker Alexandra Anderson presents her exploration of Toronto’s representation in film. Hollywood's neocolonial use of Toronto as a pseudonymous urban backdrop with the way Canadian filmmakers themselves have portrayed it over the years. Often slyly funny (the Incredible Hulk seems to hate Yonge Street as much as Goin' Down the Road's hosers were fascinated by it), and featuring trenchant ruminations from such commentators as Bruce McDonald, Piers Handling, Atom Egoyan, Patricia Rozema, and Geoff Pevere, Toronto Hides Itself is essential viewing for anyone interested in our city's cine-history.

Two urban farmers bring their neighbourhood together in an effort to construct a community greenhouse from scratch in this dreamy, mixed-medium portrait exploring sustainability and safe spaces.

Healing the Nation follows community members of the Toronto-based Aboriginal Healing Program as they rediscover their culture to heal from unresolved trauma. This empowering documentary dares us to think beyond mainstream medicine and embrace Indigenous ways for overcoming mental health and addiction issues.

Healing the Nation follows community members of the Toronto-based Aboriginal Healing Program as they rediscover their culture to heal from unresolved trauma. This empowering documentary dares us to think beyond mainstream medicine and embrace Indigenous ways for overcoming mental health and addiction issues.