Director
An affectionate portrait of exiled South African musicians in London, featuring Louis Moholo, Pinise Saul and Hugh Masekela.
Producer
A ground-breaking documentary, Omega Rising Women of Rastafari was the first film to explore and challenge myths and stereotypes about the Rastafarian movement; and give voice to women of Rastafari, who speak for themselves about their relationship to the movement and its development. A self-taught camerawoman who began her career documenting community issues in Tottenham, D. Elmina Davis was a Rastafarian herself and had travelled extensively in Africa and the Caribbean. Poetry, mythology, archive footage, interviews, music and dance are skilfully folded into her film’s narrative, revealing the journey to higher consciousness for Jamaican and British Rastafarian women. Interviewees include Judy Mowatt, reggae solo artist and a member of Bob Marley’s backing trio, The I Three.
Director
Guyanese painter Aubrey Williams (1926-1990) returns to his homeland on a “journey to the source of his inspiration” in this vivid Arts Council documentary, filmed towards the end of his life. The title comes from the indigenous Arawak word ‘timehri’ - the mark of the hand of man - which Williams equates to art itself. Timehri was also then the name of the international airport at Georgetown, Guyana's capital, where Williams stops off to restore an earlier mural. The film offers a rare insight into life beyond Georgetown, what Williams calls “the real Guyana.” Before moving to England in 1952 he had been sent to work on a sugar plantation in the jungle; this is his first chance to revisit the region and the Warao Indians - formative influences on his work - in four decades. Challenging the ill-treatment of indigenous Guyanese, Williams explored the potential of art to change attitudes. By venturing beyond his British studio, this film puts his work into vibrant context.
Director
Inspired by the 1981 'race riots', director Caesar Imruh explores the origins of radical Black consciousness in 1980s Britain by charting the experience of the preceding generation. Part essayistic meditation and part oral history, the film layers audio-visual archive material with recorded testimony. The resulting timeline begins with post-WWII migration following Caribbean contributions to the war effort and ends with reflections on the 1958 Brixton riots sparked by racism.
