Pablo Tallaví

Pulled into the Mexican Revolution by his own greed, Texas gunrunner and pilot Lee Arnold joins bandit-turned-patriot Pancho Villa and his band of dedicated men in a march across Mexico battling the Colorados and stealing women's hearts as they go. But each has a nemesis among his friends: Arnold is tormented by Fierro, Villa's right-hand-man; and Villa must face possible betrayal by his own president's naiveté

A millionaire leaves all his fortune to his older granddaughter. But his two granddaughters are twins and nobody knows who's the older one is.

This excellent short film written by the magnificent filmmaker duo of Luis García Berlanga and screenwriter Rafael Azcona was to be part of a series entitled Los Pícaros (The Rogues) which was never continued. These two artists were responsible for such masterpieces of Spanish cinema as Plácido and El verdugo (The Executioner). Here, Berlanga and Azcona collaborated for the first time, setting the stage for the post-war "Berlanguiana" vision that would develop. José Luis López Vázquez plays Julián, a seedy swindler, who with his cronies tries to sell a streetcar to a rich but naive farmer, a newcomer to the city. High jinx ensue. With this film begins the great stage of Berlanga's filmmaking in which he mixes a little social criticism and notes of anti-clericalism with a great deal of farce.

Alfonso de Borbón and his cousin María de las Mercedes de Orleans fall in love and, although both families do not maintain good relationships, young people marry when Alfonso became king of Spain.

Elsa Martinelli plays a resident of a seaside village who falls in love with rootless stranger Antonio Ciffariello. The stranger soon learns that he'll have to fight over Elsa's affections with hotheaded villager Luis Pena. Meanwhile, a fisherman who illegally uses dynamite nearly causes tragedy to the entire community.

By chance, Miguel el Tarta becomes a potential boxing champion. Manipulated by Manolo, his opportunistic and cynical best friend, and several unscrupulous individuals, Miguel is thrown into the ring, where he tries to fight with more enthusiasm than technique.

Eudosio and Carlos were imprisoned by mistake. Now out of prison, are trying to get a job and to adapt to a society that rejects them.

Toledo, 1825. To save her fiancé, an opponent of the regime, the beautiful Inès agrees to marry the chief of police.