Marcia Lucas

Marcia Lucas

Profile

Marcia Lucas

Movies

Spielberg
Self
A documentary on the life and career of one of the most influential film directors of all time, Steven Spielberg.
Easy Riders, Raging Bulls: How the Sex, Drugs and Rock 'n' Roll Generation Saved Hollywood
Self
A look at 1970s Hollywood when it was known as New Hollywood, and the director was the star of the movie.
A Good Son
Producer
When Joseph meets Tim at a diving competition, Tim invites him to see the roof, and when he kisses him, Joseph begins to see more than that.
No Easy Way
Executive Producer
Matthew, a concert pianist played by Alan Boyce, has kept his HIV positive status secret and refuses help from family and doctors. On the night he loses his job playing mood music in a fancy hotel, Matthew meets a streetwise panhandler Diana and the pair become wary friends.
Return of the Jedi
Editor
Luke Skywalker leads a mission to rescue his friend Han Solo from the clutches of Jabba the Hutt, while the Emperor seeks to destroy the Rebellion once and for all with a second dreaded Death Star.
The Empire Strikes Back
Editor
The epic saga continues as Luke Skywalker, in hopes of defeating the evil Galactic Empire, learns the ways of the Jedi from aging master Yoda. But Darth Vader is more determined than ever to capture Luke. Meanwhile, rebel leader Princess Leia, cocky Han Solo, Chewbacca, and droids C-3PO and R2-D2 are thrown into various stages of capture, betrayal and despair.
More American Graffiti
Editor
College graduates deal with Vietnam and other issues of the late '60s.
New York, New York
Editor
An egotistical saxophone player and a young singer meet on V-J Day and embark upon a strained and rocky romance, even as their careers begin a long uphill climb.
Star Wars
Editor
Princess Leia is captured and held hostage by the evil Imperial forces in their effort to take over the galactic Empire. Venturesome Luke Skywalker and dashing captain Han Solo team together with the loveable robot duo R2-D2 and C-3PO to rescue the beautiful princess and restore peace and justice in the Empire.
Taxi Driver
Supervising Film Editor
A mentally unstable Vietnam War veteran works as a night-time taxi driver in New York City where the perceived decadence and sleaze feed his urge for violent action.
Alice Doesn't Live Here Anymore
Editor
After her husband dies, Alice and her son, Tommy, leave their small New Mexico town for California, where Alice hopes to make a new life for herself as a singer. Money problems force them to settle in Arizona instead, where Alice takes a job as waitress in a small diner.
American Graffiti
Editor
A couple of high school graduates spend one final night cruising the strip with their buddies before they go off to college.
The Candidate
Assistant Editor
Bill McKay is a candidate for the U.S. Senate from California. He has no hope of winning, so he is willing to tweak the establishment.
THX 1138
Assistant Editor
People in the future live in a totalitarian society. A technician named THX 1138 lives a mundane life between work and taking a controlled consumption of drugs that the government uses to make puppets out of people. As THX is without drugs for the first time he has feelings for a woman and they start a secret relationship.
Medium Cool
Assistant Editor
John Cassellis is the toughest TV news reporter around. After extensively reporting about violence and racial tensions in poor communities, he discovers that his network is helping the FBI by granting them access to his footage to find suspects.
The Rain People
Assistant Editor
When a housewife finds out she is pregnant, she runs out of town looking for freedom to reevaluate her life decisions.
Filmmaker
Editor
A behind-the-scenes documentary by George Lucas about 29-year-old Francis Ford Coppola and his crew creating the 1969 film "The Rain People."
The New Cinema
Assistant Editor
Between the French La Nouvelle Vague and the Italian Neorealismo, Europe had been undergoing a continuous cinema transformation since the 1950s, while the ailing American studio system groaned under its own weight and inertia. New Hollywood had arrived with Bonnie and Clyde in 1967, and already by 1968 it was changing how Hollywood thought and acted. The student film scene was getting ready to explode, and it knew it.