Antonio Centa

Story of a student in the town of Trieste, shaken up by the economic crisis.

An Italian fur merchant who is going to Sweden for the first time to attend the annual fur auctions in Stockholm.

Silvio refuses to fight for the fascists and joins the resistance with Elena. After the war, his vitriolic newspaper articles cause him to be sentenced to imprisonment.

Laura, a young woman from the Verona bourgeoisie, seeks to emancipate herself, but is desperately confronted with what she considers to be the hypocrisy of men and the conformism of a society that only considers women if they marry and procreate.

In a run-down South American town, four men are paid to drive trucks loaded with nitroglycerin into the jungle through to the oil field. Friendships are tested and rivalries develop as they embark upon the perilous journey.

A man drives his car off a cliff in an apparent suicide. One insurance investigator is not so sure it was an accident or suicide and gets 48 hours to prove his case.

An aspiring composer, in the British Air Force for WWII, is downed in Italy and rescued by an Italian girl. He returns home to his wife, inspired to write an opera and aware that he's fallen in love with his rescuer.

A famous painting by Antonello da Messina, "the man with a gray glove", has been entrusted to an old restorer. When, subsequently, the painting is withdrawn from the restorer's studio and exposed, the art critic Drago discovers that it is not the original, but a copy.

Giacomo Casanova returns to Venice, to help his brother, falsely accused of robbery.

Italian fugitives from German war camps unite to form "Lupo", a partisan brigade which uses their knowledge of the countryside to wage their own personal war on the Germans.

A glamorous female singer Zazà (Isa Miranda) has an affair with a passerby engineer Dufresne (Antonio Centa). But when Zazà impatiently comes to him in Paris she finds out that he is married and even has a daughter. He wants to escape from his relatives with Zazà, but, disillusioned and exhausted, she rejects his proposition and insists on his coming back to his family.

Seduced by count Diego and then abandoned, Adriana finds a job at a large hairdresser shop, so she can lead a dignified life together with her daughter.

Two half brothers, one a pilot, the other a repairman at the plane factory of their father, are in a disagreement due to the envy of the younger brother, son of the first wife of their father. Then both brothers fall in love with the same woman; this causes more conflict between the two, making worse an already tense situation.

Count Anikoff, a Russian officer, challenges his best friend, Sergei, to a duel when he finds him courting the young woman he, too, is in love with. Sergei can't bring himself to kill his friend. He fires only after taking the bullet out of his pistol. Now, it is the Count's turn to fire...

After finding a train ticket on the ground, the young Paolo decides to go by train to Venice, where he meets Clara, a beautiful girl.

Venice Film Festival 1940

Foreign spies steal the formula of a new explosive

A film about the story of princess Élisabeth Tarakanova.

Venice Film Festival 1938

A favorite student of an old dance teacher gets casted in an important pantomime. When the teacher dies on the stage, she finds support from a journalist's affection to overcome the difficult moment.

La Contessa di Parma was the sole directorial contribution by Allesandro Blasetti in 1937. The first of several expensive costume dramas upon which the director established his international reputation, the film stars Elisa Cegani as Marcella, a model in the dress shop owned by enterprising Umberto Melnati. To improve his business, the owner instructs his models to dress up as society ladies and attend all the best parties. And that's how humble little Marcella comes to be mistaken for the popular Duchess of Parma -- and by extension, how our heroine wins the love of football hero Gino Vanni (Antonio Centa). A little wanting in the way of plot or logic, La Constessa di Parma is at least consistently good to look at.

Based on a Pirandello play, Vittori De Sica plays a wealthy young social lion who has to constantly fight off a horde of women who are eager to marry him because of his position and money. He weds Elisa Cegani, a servant girl, who turns out to be a more appealing wife than any of the others could have been. Assis Noris decorates the screen well as one of the chasers and pursuers. In 1937, De Sica and Noris made a film, "II Signor Max," which, other than the setting and character role names, basically has the same plot as this film.

Lieutenant Mario Ludovici, an army officer, gets himself transferred to a Libyan post when his romance with society girl Cristiana goes on the rocks. Ludovici is looked upon as a weakling by Captain Santelia, the hard-boiled commander of the troops, but after a bitter campaign against a rebel tribe Ludovici proves his true worth and returns as commander when Santelia is mortally wounded. Cristiana arrives and tries to entice him to return to Rome, but he decides to stay in Africa with the army.

Attempting to cover the fault of one of his subordinates, an officer of the Napoleonic army is condemned to death for treason.