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The film is a metaphor for the Cold War. It depicts two neighbouring nations: peace loving Fortuna and the not so peaceful land of the Steel City.
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In this character study by Czech director Frantisek Vlacil, a stout middle-aged physician whose marriage has come apart establishes a practice in a small town. Gradually he's drawn into the lives of his patients—a childless couple, a pregnant girl with a stern mother, the son of a duck farmer—and each relationship reveals a bit more about him and the idyllic but insular community.
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The late summer of 1918. Paul, Willi and Heinrich from an age-old German town are good friends, although there is a great deal that divides them. Heinrich comes from an officer's family with an army tradition and is preparing to enter cadet college. Paul's father and grandfather are workers, and Willi, left to depend on himself, works as a hotel messenger. The last year of the war is hard for everyone, but while Paul and Willi know their own minds and do not hesitate to help the war fugitives Tony and Sepp, for Heinrich everything is more complicated.
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This comedy is about one average family. The father works as master in the factory and his son is studying on high school. One day father must start to visit the evening school. It's the same school as his son visiting. The lives both students are connecting together. The son must teach the math and physics his own father. The father getting to know, that the life of the students is not simple as he supposed.
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Set in the early 1930s, a young man finds a job as a dishwasher in a hotel and quickly works his way up the ladder. Loosely based on the novel by Henryk Worcell.
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Historical depiction of the events preceding the political murder of Archduke Franz Ferdinand, would-be emperor of the Austro-Hungarian throne, in Sarajevo, June 28, 1914. A World War would start there, that some claim has not yet ended - merely changed fighting grounds once in a while
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An only son, Jirí Valenta (Jaromír Hanzlík), has been drafted to the army. At the barracks he acquires the nickname Seamstress because he sews rugs in his spare time. One day, his friend introduces him to Julka Vávrová (Jorga Kotrbová), a girl he is desperate to get rid of. The naive Jirí falls in love with the girl and accepts her invitation to spend Easter together in the country. There he learns that the girl is the single mother of the young boy Martínek, whose father is the married tractor driver.
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On the holidays, ten years old Adam and his little sister Otka, four years junior to him, travel from a village Vykán to their aunt to Prague. Their parents left for Hungary to the world championship in ploughing. The children have the address but they do not know the way to the Northern Town. They set out for a place on foot, across the historical parts of the town.
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Popelka, a resourceful and independent young girl, is a servant in her stepmother's house and confides her closest friend the owl. When she comes across three magical acorns, she's granted a single wish for each one of them.
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Marek (Jirí Holý), formerly a driver of a long-distance lorry, has served his term for smuggling art works abroad and is released from jail. Years ago, he sacrificed himself and confessed his guilt on behalf of his companions - the drivers Krása, Jelínek, Hess and Novák from the Ministry of Culture who gave them tips. Marek finds Hess and tells him that now he expects the gang to compensate him for the wasted years of his life.
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The female employees of the poultry-processing factory find relief from their monotonous work in chatting about weddings and marriages. The very young Zdena (Marta Vancurová), too, dreams about a white veil and an entourage of bridesmaids. On her return home from work, she runs into a peculiar man on an abandoned road who pertinaciously offers to read her palm for a few crowns to buy soup. His augury is rather usual - wealth and poverty, suffering and happiness. Then however, he declares that Zdena must marry exactly on 3 November of that year otherwise she will be unhappy.
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An escort composed of three people transports a huge amount of new one-hundred crown banknotes in a special railway car. At the 196th kilometer, a village girl is waiting at the railway crossing and spots two men removing some packages from the track. The scene is immediately followed by the report of a gun and the unwanted witness is shot dead. Soon afterwards, on the 201st kilometer, the train explodes. Only one of the escorts Lenk (Radoslav Brzobohatý) survives the explosion, taken to hospital with serious injuries. Criminologist Major Kalas (Jirí Sovák) and the very young Second Lieutenant Karlícek (Jaromír Hanzlík) patiently gather facts, leads and testimonies.
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The title "All My Good Countrymen" is not without irony as this epic tale of Czech village life from shortly after the end of the Second World War concentrates on the activities of a group of friends who are not beyond reproach in siding with a politically corrupt regime for material advancement. Are these the "good countrymen" of the title or does it refer to the rest of the village who scorn these petty authority figure with silent contempt?
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Prague - mystical city. It was here in the Middle Ages, alchemists and magicians gathered. Rumor has it that the house of Prague hide secret obtain the philosopher's stone, and complex multi-level labyrinth of underground tunnels and cellars keep many unsolved mysteries and untold treasures. Prague just full of ghosts and phantoms. Let us slightly lift the veil that hides the secrets and little to satisfy your curiosity, get acquainted with some legends of Prague.
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A dark comedy about a murder and its consequences presented in a backwards manner, where death is actually a rebirth. The film starts with an "execution" of the main protagonist and goes back to explore his previous actions and motivations.
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Eight-year old Dominique has a name-day. Her parents have a gift for her, but only give it to her in the evening, when everybody has come home from work. Then she darts out, where her girlfriends are already waiting for her.
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This three-part Austrian/Czech comedy stretches the boundaries of what is considered to be humorous. Part one finds a silent film actor upset because of a rival actor's attention to the former's wife. When he kills his rival, it is only when he is strapped to the electric chair that he realizes that this is his last live scene. The second episode has the wife of an elderly British nobleman having an affair with the young gamekeeper of their estate. Part three finds a peasant woman taking a lover when her husband goes off to fight the war.
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A satire of the Great American Way, with Lemonade Joe a "clean living" gunfighter who drinks only Kola-Loca Lemonade and convinces everyone else in town (with his gun skills) that all "real men" drink ONLY lemonade!
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Some people with a strange cat arrive in a small village. The cat wears glasses, and when someone takes them off, she can color people, according to their nature and mood. The grown-ups of the village consider the cat to be dangerous, but the kids just love her…
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Czechoslovakian film.
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A fictionalized account of Czech soldiers who fought for the French Foreign Legion in Vietnam.
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A boy dreams of winning an ice hockey game. Meanwhile, a professional hockey star moves into the neighborhood, offering his services as a goalkeeper--leading two rival teams of Prague schoolboys, The Little Lions and The Devil Street Boys, to fall over themselves in order to gain his favor. The goalie's son, basking in his father's glory, is asked to replace a member of the Lions team, prompting the usual boyish rivalries and battles. Some of the Lions players are so preoccupied with the impending "big game" that their schoolwork suffers, to the chagrin of their teachers and parents.
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Cooperative members are harvesting crops, trying to get new water piping installed and preparing to plough away the field boundaries in autumn. Local kulak Voznica (Vladimír Repa) doesn't like any of this so he forces sexton Kodýtek (Vlasta Burian) to help him sabotage their efforts.
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The Trap (Czech: Past) is a 1950 Czech drama film directed by Martin Frič. It was entered into the 1951 Cannes Film Festival.
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