Lucy Noble

Maleficent and her goddaughter Aurora begin to question the complex family ties that bind them as they are pulled in different directions by impending nuptials, unexpected allies, and dark new forces at play.

Trevor is 'between jobs'. He spends his days avoiding his nagging heifer of a wife by hiding out in his allotment shed and painting figurines for his wargames with his agoraphobic friend, Graham, and dreaming of his heroic alter-ego, the battle mage Casimir the Destroyer. When Mr Parsons, one of the other allotment tenants, petitions to have Trevor removed from his disgrace of a plot (he's not there to grow stuff!) an argument ensues that leaves Trevor with a corpse to hide. Unfortunately, this untimely accident coincides with the zombie apocalypse and Mr Parsons' return is just the beginnings of Trevor's problems. More pressing is whether or not he should try and save his wife and her beautiful best friend, who both he and Graham have a thing for.

Over the course of a night out in a queer club, Raf struggles to find his place among the crowd until he stops trying to force the narrative and just lets himself go with the music.

As dawn creeps across London, two lost outcasts meet in the darkness, more afraid of themselves than each other. As the sun begins to rise, and the veil of the night is lifted, the pair look into the cold light of day for hope and it takes more than just the eyes to see inside a soul.