During the Blitz of World War II, a female screenwriter works on a film celebrating England's resilience as a way to buoy a weary populace's spirits. Her efforts to dramatise the true story of two sisters who undertook their own maritime mission to rescue wounded soldiers are met with mixed feelings by a dismissive all-male staff.
1913, shortly before the outbreak of WWI. A group of aristocrats gathers at the estate of Sir Randolph Nettleby for a weekend shoot. As the terminal decrepitude of a dying class is reflected in the social interactions and hypocrisy of its members, only world weary Sir Randolph seems to realise that the sun is setting.
Influenced by the social and geopolitical situation of the early nineteen-seventies and the hippie youth movement of the late nineteen-sixties, Quatermass is set in a near future in which large numbers of young people are joining a cult, the “Planet People”, and gathering at ancient sites, believing they will be transported to a better life on another planet.
Two households, both alike in dignity, in fair Verona where we lay our scene, from ancient grudge break to new mutiny where civil blood makes civil hands unclean. From forth the fatal loins of these two foes a pair of star-cross'd lovers take their life whose misadventur'd piteous overthrows doth with their death bury their parents' strife.
