Through clippings, the film draws a narrative line between the construction of racism in Brazil and the United States, having as base the European invasion of the continent, police violence, the genocide of the black people, the massacre of indigenous peoples, religious violence, the criminalization of funk music, structural racism in art and education, the importance of quota policy and the need urgent historical repair as a commitment by the Brazilian state to the black people.
herself
Stories of black women who, thanks to the relentless toil of their mothers, were able to attend school and retrace the paths treaded by their ancestors. Their memories, joys and sorrows become present as a possibility for a new fate, transforming the hard work of the washerwomen in a spectacle of life and fulfillment.
