Vocals
After marrying a settler, Mary Two-Axe Earley lost her legal status as a First Nations woman. Dedicating her life to activism, she campaigned to have First Nations women's rights restored and coordinated a movement that continues to this day. Kahnawake filmmaker Courtney Montour honours this inspiring leader while drawing attention to contemporary injustices that remain in this era of truth and reconciliation.
Original Music Composer
After marrying a settler, Mary Two-Axe Earley lost her legal status as a First Nations woman. Dedicating her life to activism, she campaigned to have First Nations women's rights restored and coordinated a movement that continues to this day. Kahnawake filmmaker Courtney Montour honours this inspiring leader while drawing attention to contemporary injustices that remain in this era of truth and reconciliation.
Writer
Sayisi Dene people use the same word for stars as they do for the sparks seen among caribou. When they move in the night, the friction of their fur creates static, sparks, and stars. HIDE is an impromptu act of art making, the result of chance meetings and big dreaming. The original composition by renowned Quebecois pianist, Jean-Philippe Sylvestre, highlights the delicate crackles of deep space and the ruckus cacophony of intercultural collaboration.
Choreographer
Sayisi Dene people use the same word for stars as they do for the sparks seen among caribou. When they move in the night, the friction of their fur creates static, sparks, and stars. HIDE is an impromptu act of art making, the result of chance meetings and big dreaming. The original composition by renowned Quebecois pianist, Jean-Philippe Sylvestre, highlights the delicate crackles of deep space and the ruckus cacophony of intercultural collaboration.
Art Direction
Sayisi Dene people use the same word for stars as they do for the sparks seen among caribou. When they move in the night, the friction of their fur creates static, sparks, and stars. HIDE is an impromptu act of art making, the result of chance meetings and big dreaming. The original composition by renowned Quebecois pianist, Jean-Philippe Sylvestre, highlights the delicate crackles of deep space and the ruckus cacophony of intercultural collaboration.
Director
An episode is the Talking Treaties Suite of works, produced by Jumblies Theatre and Arts. Historic text, petitions, and oral memory are brought to life through a vibrant all-indigenous cast. Scenes were shot at Historic Fort York and along the waterfront of the Toronto Purchase: the Don and Humber River’s and Etobicoke Creek. The creek, which has never been ceeded, marks the disputed western boundary of the Toronto Purchase of 1787 and the eastern boundary of the 1805 Head of the Lake cession (treaties 13 and 14 respectively). It is now subject to a waterclaim by the Missisaguas of the Credit. Rooted in Oral History and community collaboration, Talking Treaties is a multi-year project that artfully shares local indigenous history and awareness. By these Presents: ‘Purchasing’ Toronto and accompanying installation were presented at the 2019 Toronto Biennial of Art.
