Lee Ju-suk

Hwa-ja has been raising three daughters alone in Busan after her husband passed away. One day, the second daughter Hye-young comes back to Busan after having continuous setbacks in Seoul. While spending time with her mom, she accidently sees a letter written in Japanese, which triggers her curiosity. She starts to ask Hwa-ja about her past life and gets to know new stories of her mother that she had never heard of.

On a winter morning on the way to work, Kiyoung finds Gilho sleeping on the wooden bench in front of his house. Gilho is a teenager who has run away from home because he can no longer face the domestic violence he suffers there. Kiyoung lets Gilho stay in his house for a few days and Gilho comes to trust Kiyoung. However, as Gilho′s friends visit, conflicts happen between Kiyoung and Gilho.

Se-jin, a high school student, becomes pregnant and gets ostracized by her family and school. While wandering the streets, she meets Joo-yeong, an experienced runaway, and tries to get an abortion with Joo-yeong's help.

A sheep farmer whose remote and quiet life is disturbed by the arrival of both his lover and his twin sister.

A middle-age couple visit a temple in Chuncheon where they spent their first night together 30 years prior. On the way, one of them cannot find their phone and hurries to find it. As the night unravels, they will come across an ex-lover, a friend, and a young couple who resemble them 30 years ago.

Sultan of the Disco was proclaimed "the first lip sync dance group in Hongdae." Now, they have since become one of the most well-known bands in the Hongdae music scene. The director decided to make a documentary about the band when they were officially invited to the Glastonbury Festival in England in 2014. The director originally expected to record some scenes as he followed the process of the band making their second studio album. However, you never know what the future will bring.

Eun-seo struggles repeatedly to find her own place. Her father Jin-cheol lives alone in a house where his family has left. Eun-seo unexpectedly returns her childhood home to live with her father. There, she faces traces of her family she had forgotten.

Woman’s body bleeds regardless of her will. Through untold ages, this bleeding has been the symbol of secret, mystery, fervor and disavowal. The process of bleeding which has been taken care of with any absorbent materials, however, has undergone changes through critical moments of human history. NPR, the public channel in USA declared the year 2015 as ‘The Year of the Period,’ and ‘Free Bleeding Movement’ arose also in Korea. Numerous startup companies launched products for “New Bleeding.” Over a million viewers are visiting pages of sanitary-products-reviewing youtuber, and politicians start to talk about the blood. The walls of information collapse, and women choose their own way of “how to bleed.”

20 years after discharge from the army and now an excavator driver, a former paratrooper who had been mobilized to suppress the May 18th Democratic Uprising in Korea in 1980, happens to find a skull in the ground one day. Driving his excavator, he pays visits to his former superiors one by one and realizes they were all both assailants and victims of the times.

Eunju and her half-brother Minjae lose their parents in an accident. When his sister suddenly disappears with the inheritance of 100 million won, Minjae drives a long way to the southern region to find her, without knowing that ten-year-old Eunho, Eunju’s baby brother, has sneaked into the car. Beginning with images of the happy faces of the sister and brother within the crowds enjoying the cherry blossoms, the film follows Minjae’s trip, asking one question. Why did his sister leave him and disappear? Minjae wants the money his sister took, but money is not the only reason for his trip. When he finally finds her, he realizes that he now has to live on his own and take care of his younger brother Eunho.

Park Jung-gu sends out homemade bombs to people he finds online who are likely to use them, yet these devices are unused. One day, Jung-gu meets Lee Hyo-min, a delinquent student at his university and sends him a package. Soon an explosion in a delivery truck hits the news. Before long, Hyo-min discovers who is sending him the packages and the two form a tenuous relationship. However, Hyo-min's unpredictable behavior becomes dangerous and Jung-gu finds himself caught in a situation that he can no longer handle.

In 2009, a group of young people quit their jobs and founded an alternative fashion company, Orgdot, in the hopes of creating an ethical fashion brand. In contrast to the bloodsucking practices found in the current fashion industry and its status quo, Orgdot’s goal was to establish a win-win platform for both the producer and the consumer. is about the dream of those who chose to bring such a challenging endeavor into their lives and the inevitable anxiety and conflict they faced because of it. However, the film is not about Millennials, the so-called anxiety generation, and its general fears, but about this one small group’s anxiety surrounding a chosen goal, one that lacks the security found in the accepted norm. The film is the second part of director Min Hwan-ki’s exploration of a generation’s place and latent power. sets out to chase down and analyze the struggle that follows the anxiety and, of course, express support for those choices.

A story about 4 gay men who try to lead a normal life in Korea, the conservative and harsh country for LGBT in Asia. In the middle of making a queer film Jun-moon, a director, loses his self-confidence due to social scrutiny regarding his sexual orientation. Byung-gwon, a gay rights activist, has been participating in movements to establish equal rights for homosexual laborers. Young-soo, a chef who moved from the countryside 15 years ago, lived a lonely life but he finds happiness after joining a gay choir. Yol, who works for a major company, dreams of the day him and his partner, can have a legal wedding with overcoming the prejudice against people living with HIV/AIDS.

18 year-old Hye-hwa and Han-soo were lovers but as soon as Hye-hwa got pregnant Han-soo disappeared completely. Five years later, Han-soo suddenly appears in front of Hye-hwa and the two of them find out their baby is still alive. Hye-hwa doesn't believe Han-soo. However, after finding out her child had been adopted, she can’t help but weaken.

The title refers to three “female-to-male” men. Ko has been taking hormones for 8 years in the belief that he must become completely “masculine” to be accepted; Han has her breasts removed as part of a process of becoming “ungendered”; while Kim finds that his new male legal identity only opens up new confusions.