Mario Franca

A group of actors and actresses rehearse play virtually and look for solutions to get around the fact that they cannot meet. Confined at home, they use their own family members on stage. The piece chosen is ÁLBUM DE FAMÍLIA, by Nelson Rodrigues, an attempt to debate the idea of a traditional Brazilian family.

Nheengatu – The Language of the Amazon takes us on a journey along the Negro River, on the trail of this language imposed on indigenous people by the first Portuguese colonialists who landed in Brazil in the 15th century. Throughout the various encounters with local communities that still speak this language, the director faces the different cultural, historical and social issues that confront tradition and future.

Salvador, Bahia, January 1835. After more than a decade of hard work, Guilhermina, 27, a slave of Muslim origin, finally gets the resources to buy her manumission, as well as that of Teresa, 11, her teenage daughter. But, contrary to an old promise, his “lord”, farmer Souza Velho, refuses to sell the girl's letter. When Pacific Licutan, Salvador's most esteemed Islamic leadership, is arrested by the Bahian authorities, the Muslim community goes into a boiling state and begins to articulate a jihad. In desperation, Guilhermina sees in the uprising the only way to win her daughter's freedom.

When her country is taken over by socialist revolutionaries, a wealthy woman can't bear to give up all of her wealth and possessions to the new government, so she hides all of her treasures in the 12 chairs of a dining-room set. After her death her nephew finds out what she had done and, since the chairs had been "nationalized" and are now in the possession of a dozen different people, he sets out to track them down and get the treasures he believes rightfully belong to him.

A hard-boiled crime story also known as "The Waiting-room of Death".