Sound
The artists of the collective As Talavistas, and Gabriela Luíza, join the artists Duca Caldeira, Dyony Moura, Jô Arllen and Vidrynha and design studio and method of filming inside a house. Two years later, SESSÃO BRUTA returns to exchange and immerses itself in a filmic game with fiction and narrative, with jokes and criticism, with close-ups and intimacy, with the presence and the remote. Cinema, culture are things taken as a perspective of link, claim, painting and stage. Refounding the scene as an idea and process, and its political and plastic implications.
Producer
The artists of the collective As Talavistas, and Gabriela Luíza, join the artists Duca Caldeira, Dyony Moura, Jô Arllen and Vidrynha and design studio and method of filming inside a house. Two years later, SESSÃO BRUTA returns to exchange and immerses itself in a filmic game with fiction and narrative, with jokes and criticism, with close-ups and intimacy, with the presence and the remote. Cinema, culture are things taken as a perspective of link, claim, painting and stage. Refounding the scene as an idea and process, and its political and plastic implications.
Director
The artists of the collective As Talavistas, and Gabriela Luíza, join the artists Duca Caldeira, Dyony Moura, Jô Arllen and Vidrynha and design studio and method of filming inside a house. Two years later, SESSÃO BRUTA returns to exchange and immerses itself in a filmic game with fiction and narrative, with jokes and criticism, with close-ups and intimacy, with the presence and the remote. Cinema, culture are things taken as a perspective of link, claim, painting and stage. Refounding the scene as an idea and process, and its political and plastic implications.
The artists of the collective As Talavistas, and Gabriela Luíza, join the artists Duca Caldeira, Dyony Moura, Jô Arllen and Vidrynha and design studio and method of filming inside a house. Two years later, SESSÃO BRUTA returns to exchange and immerses itself in a filmic game with fiction and narrative, with jokes and criticism, with close-ups and intimacy, with the presence and the remote. Cinema, culture are things taken as a perspective of link, claim, painting and stage. Refounding the scene as an idea and process, and its political and plastic implications.
Director
Dayo, Piranhafudida and Ducarallho: 3 black transvestites from the Baixada Fluminense, who resort to art to survive in the country that kills the most transvestites in the world.
