Jean-Louis and Anne have had their fling and separated. Now 20 years have passed. He is still dating various women. She is now a big-time director whose most recent film was a very expensive bomb. She comes up with the idea of making a romance based upon her fling with Jean-Louis. She contacts him to gain his permission. Jean-Louis is still in racing and goes away for a desert rally while she begins filming. She finds the mood of their romance difficult to recapture in her film.
The film Soleil Ô, shot over four years with a very low budget, tells the story of a black immigrant who makes his way to Paris in search of “his Gaul ancestors”. This manifesto denounces a new form of slavery: The immigrants desperately seek work, a place to live, but find themselves face to face with indifference, rejection, humiliation…until the final call for uprising. “Soleil Ô” is the title of a West Indian song that tells of the pain of the black people from Dahomey (now Benin) who were taken to the Caribbean as slaves.
A man and a woman meet by accident on a Sunday evening at their childrens' boarding school. Slowly, they reveal themselves to each other, finding that each is a widow.
Four young people, tired of working life, decide that they can earn money from crime than they can from work. The film follows their training at the first "crime school", as well as their work.
Les amours de Paris focuses on three disparate couples and their problems in the arena of romantic love. One couple is comprised of a faithful husband and a sick wife whose stay in the hospital is not so bad because she has taken a sudden interest in her doctor. In the second pairing, a womanizer comes to see that the model who is in love with him is worth more than yet another conquest. And to complete the trio, two zany people finally realize they are a couple.
