Vitaliano Brancati
Birth : 1907-07-24, Pachino, Sicily, Italy
Death : 1954-09-25
Writer
Catania, Italy. The Platania family hires a new French governess, the beautiful Caterina. The life of the whole family will be soon turned upside down.
Novel
From his youth, Paolo Castorini, a Sicilian baron, is as attracted to women as they to him. Giovanna, a servant girl, Lillian, a serious girlfriend in Rome, a hostess at a post-war party, Paolo makes love to them all. He also feels dissatisfied with a life only of the body, compared to his journalist friend Vincenzo and his own father, a sober and serious thinker. When his father is on his deathbed, Paolo learns of syphilis in the family and something of the curse of dissolution. Some years later, he resolves to marry Katrina, the pure daughter of the woman he should have married. He wants her purity to redeem him so he can make something of his life. But is it too late?
Novel
Giovanni Percolla lives in Catania surrounded by the attentive cares of his three sisters. He permanently acts like a Don Giovanni to hide his real poor "knowledge" of women. With his friend he moves also to Rome but women still continues to remain part of his fantasies. But Giovanni succeeded to build anyway a fame of "tombeur de femmes". One day he meets the real love of Maria Antonietta and decides to marry. Will things change?
Novel
Problems arise for Antonio Magnano when he is unable to consummate his marriage to the beautiful Barbara Puglisi and his virility is called into question. Despite the fact that he loves his beautiful wife and they have otherwise been happily married for a year, his problem becomes a source of contention for all concerned.
Screenplay
Story
In this comedy Alberto Sordi plays Rosario Scimoni, known as Sasà, an opportunistic and unscrupulous guy, nephew of the mayor of Catania, and he's always ready to take sides with anyone who can help him. He switches from socialism to fascism; he changes his political faith the same way he changes women. He even tries to found his own party.
Screenplay
In this comedy Alberto Sordi plays Rosario Scimoni, known as Sasà, an opportunistic and unscrupulous guy, nephew of the mayor of Catania, and he's always ready to take sides with anyone who can help him. He switches from socialism to fascism; he changes his political faith the same way he changes women. He even tries to found his own party.
Story
This deceptively simple tale of a bored English couple travelling to Italy to find a buyer for a house inherited from an uncle is transformed by Roberto Rossellini into a passionate story of cruelty and cynicism as their marriage disintegrates around them.
Screenplay
This deceptively simple tale of a bored English couple travelling to Italy to find a buyer for a house inherited from an uncle is transformed by Roberto Rossellini into a passionate story of cruelty and cynicism as their marriage disintegrates around them.
Screenplay
A barber, murderer because of jealousy, spends twenty years in jail. He cannot, however adjust himself to a changed world and to the hypocrisy of his own relatives and decides to return behind bars.
Screenplay
A film made up of four episodes: a jar repairer gets trapped in a vat because of his hunch; a young unmarried mother is forced to beg to buy herself a fan; Rosario Chiarchiaro appears before a law court for casting spells; the discomfort of an overtight jacket gives a wedding witness the strength to persuade the bridegroom's reluctant parents to bless his union.
Story
A Sicilian professor who moves to Rome gets lost in the maze of Roman ministries and gives in to corruption.
Screenplay
A Sicilian professor who moves to Rome gets lost in the maze of Roman ministries and gives in to corruption.
Co-Writer
Paolino, a teacher at an elementary school near Naples, appears nervous for a few days and his friends do not know why. The man is the lover of Assunta, the mother of one of his pupils, and he discovers that she has become pregnant.
Screenplay
While recuperating from their injuries in a hospital, three young women flash back to the events leading up to the catastrophe. Remata (Lia Amando) has spent her entire life trying to overcome a childhood rape. Annamaria (Antonella Lualdi) has recently come out of an unfortunate marriage to a wealthy but insensitive boor. And Gianna (Eleanore Rossi Drago), the daughter of a college professor, has ruined her life with narcotics.
Story
While recuperating from their injuries in a hospital, three young women flash back to the events leading up to the catastrophe. Remata (Lia Amando) has spent her entire life trying to overcome a childhood rape. Annamaria (Antonella Lualdi) has recently come out of an unfortunate marriage to a wealthy but insensitive boor. And Gianna (Eleanore Rossi Drago), the daughter of a college professor, has ruined her life with narcotics.
Screenplay
Just before the Franco-Prussian War of 1870, a party is held in the castle of the Stettin's Counts.
Screenplay
A number of different segments taken from 19th century Italian stories.
Screenplay
Esposito is a thief who cons tourists in Rome. Officer Bottoni manages to catch him and starts persecuting him. When Esposito manages to flee, Bottoni's superiors inform him that he'll lose his job if he can't catch Esposito.
Screenplay
Adaptation
Aldo Piscitello, a minor government clerk, is forced in 1934 to join the Fascist party. When the war comes, he finds himself able only to talk ineffectually in secret against Mussolini, even as his own son Giovanni is sent into battle. By the end of the war, Aldo has found the courage to stand up for his beliefs, but by then it is too late.
Novel
Aldo Piscitello, a minor government clerk, is forced in 1934 to join the Fascist party. When the war comes, he finds himself able only to talk ineffectually in secret against Mussolini, even as his own son Giovanni is sent into battle. By the end of the war, Aldo has found the courage to stand up for his beliefs, but by then it is too late.
Screenplay
Aldo Piscitello, a minor government clerk, is forced in 1934 to join the Fascist party. When the war comes, he finds himself able only to talk ineffectually in secret against Mussolini, even as his own son Giovanni is sent into battle. By the end of the war, Aldo has found the courage to stand up for his beliefs, but by then it is too late.
Screenplay
Screenplay
Screenplay
Venice Film Festival 1942