Carlos Vasquez

The director turns the diary of his sexual adventures into a serial narrative in the style of “One Thousand and One Nights”. This polyamorously-minded queer musical applies the same playful approach to folk tales as it does to Egyptian pop music.

Jaime Guzmán, the main ideologist of the Pinochet dictatorship and author of the Chilean Constitution, slips into a witch's dream. She confronts her different personifications and tries to drive away her visitor using witchcraft. She curses, sings, dances and reintroduces herself in alternative versions of herself.