Marcel Cuvelier

Directed by French author Geroges Perec, Les Lieux d'une fugue is an autobiographical account of the writer's experience of running away from his aunt's house at age 11. As much a meditation on the streets of Paris as it is personal narrative, Les Lieux d'une fugue examines how Perec's verbal games play out alongside a movie camera.

This film explores the experiences of some of the members of an anti-Nazi resistance group in France composed mostly of Polish immigrants, known as "La Brigade." Many of them also fought for the leftist cause during the Spanish Civil War, and for them the resistance is simply a continuation of their prior activities. After the war, some of them continue to have a "resistance" mind-set. One of the stories concerns a love relationship between a Polish boy and a French girl who are thrown together because of their war efforts. After the war, they get together and reminisce.

"Ambassadors" is a euphemistic name given by the French to Arab "guest-workers," or imported laborers. In this film, the Arab workers are shown enduring the difficulties of life in a racist society, as well as the hardships they impose on one another.

Irresistible charm and talent helps Serge Alexandre alias Stavisky, small-time swindler, to make friends with even most influential members of French industrial and political elite during the early 30s. But nothing lasts forever and when his great scam involving hundreds millions of francs gets exposed result is an unprecedented scandal that almost caused a civil war.

A writer, Kamouraska is based on a real nineteenth-century love-triangle in rural Québec. It paints a poetic and terrifying tableau of the life of Elisabeth d'Aulnières: her marriage to Antoine Tassy, squire of Kamouraska; his violent murder; and her passion for George Nelson, an American doctor. Passionate and evocative, Kamouraska is the timeless story of one woman's destructive commitment to an ideal love.

After his father is killed in a plane crash, Bart Cordell returns back home to France to claim his inheritance: to lead the industrial empire his father built. But when a prostitute tries to set him up for a drug smuggling charge, he is forced to accept that his father may have been assassinated and that the killers are out to get him as well...

The vice-minister of Foreign Affairs of Czechoslovakia, knowing he's being watched and followed, is one day arrested and put into solitary confinement by his blackmailers.

In Lourdes, in the 1860s, the young Bernadette disturbs despite herself the peaceful life of the small town. She is the only one to see the apparition of The Lady, every day. The villagers take sides, the notables try to stifle the affair. But crowds come from all over the country. Inspired by the true story of the Lourdes affair.

Rural France, the 1890s. Always in motion, Augustin wanders three times. First, as a youth, while a boarder near Bourges, he's lost in the woods and finds a chateau where an engagement party's in progress: there he falls eternally in love with Yvonne and she with him. Back at school, he hears she is in Paris, so he follows in a vain search and meets a woman, jilted by her lover. In the countryside a few year's later, Augustin's friend François finds Yvonne and brings Augustin to her. They marry, but the next day, Augustin leaves to fulfill a youthful promise he made to Yvonne's brother. François comforts the pregnant Yvonne as they await Augustin's return.

Base on Paul Féval's "Le Bossu" ("The Hunchback")

This one is generally looked upon as the best version of the old-fashioned melodrama by Jules Mary.Riccardo Freda,who was mainly known for his horror movies,tried also his hand at spy thrillers in the wake of James Bond ("Coplan Ouvre Le Feu à Mexico") ,and had a penchant for old French melodramas (before "Roger la Honte" ,he redid "Les Deux Orphelines " -D.W.GRiffith's "orphans of the storm-. Georges Géret replaces Lucien Coedel and Irene Pappas takes on Maria Casarès's part of his mistress.Freda 's movie is more compact ,with a running time of 105 min,whereas Cayatte's version (1945-46) spread over two episodes with a total time exceeding 3 hours.It also benefited from the use of color .But all in all,it's the same old story.

Diego is one of the chiefs of the Spanish Communist Party. On his way from Madrid to Paris, he is arrested at the border for an ID check but manages to get free. When he arrives in Paris, he starts searching for one of his comrade to prevent him from going to Madrid where he could be arrested.

A lovely young nurse finds herself framed for the murder of a hospital patient who died after she administered an injection.

Enigmatic gangster Silien may or may not be responsible for informing on Faugel, who was just released from prison and is already involved in what should be a simple heist. By the end of this brutal, twisting, and multilayered policier, who will be left to trust?

The charismatic, surly son of a wealthy industrialist, Clément, leads a double life as a member of a right-wing extremist organization. When he’s ratted out after a failed assassination attempt on a prominent politician, Clément and his long-suffering wife Anne flee Paris to the idyllic country home of his childhood friend, pacifist print-maker Paul. As affection blossoms between Paul and Anne, the emotional, as well as political tensions, soar and eventually explode.

As Dominique Marceau is being tried for the murder of Gilbert Tellier, accounts by different witnesses paint a picture of the kind of relationship the two used to share.

A self-assured businessman murders his employer, the husband of his mistress, which unintentionally provokes an ill-fated chain of events.