Mārcis Ābele

Behind the all-seeing eyes of surveillance cameras, there is always someone watching the Latvian capital. "Full Moon Serenade" offers the viewer a unique opportunity to get to the other side of the surveillance cameras on the nights of the full moon to see Rīga's night life in all its quirky forms. The film is a tribute or a serenade to the nocturnal city, night dwellers and night watchers.

Behind the all-seeing eyes of surveillance cameras, there is always someone watching the Latvian capital. "Full Moon Serenade" offers the viewer a unique opportunity to get to the other side of the surveillance cameras on the nights of the full moon to see Rīga's night life in all its quirky forms. The film is a tribute or a serenade to the nocturnal city, night dwellers and night watchers.

While the whole world is overwhelmed by revolutions of different shades, the leading tandem of the Small Theater - Ivars and Armands is working on a new historical play set in 18th century France called ‘Revolution’. A week before the premiere the favorite of audiences and critics Armands receives a tempting offer to pursue his career at the Grand Theater. Betrayed by his best friend, Ivars gradually loses touch with reality. Themes of the play ‘Revolution’ starts to intertwine with Ivars personal life until he becomes unable to distinguish truth from fiction and that brings the Small Theater closer to an inevitable catastrophe - the act of terrorism at the evening of the premiere.

“Mierjema” in Liv means “to be by the sea”. The film documents a very diverse population of Latvia that lives, works and spends time on the shores of the Baltic Sea. In the form of short, kaleidoscopic stories the film captures and reflects on people’s habits, needs and dreams. To what extent the importance of the sea is to meet our basic needs and - how important is it to our spirit?

“Mierjema” in Liv means “to be by the sea”. The film documents a very diverse population of Latvia that lives, works and spends time on the shores of the Baltic Sea. In the form of short, kaleidoscopic stories the film captures and reflects on people’s habits, needs and dreams. To what extent the importance of the sea is to meet our basic needs and - how important is it to our spirit?

“Mierjema” in Liv means “to be by the sea”. The film documents a very diverse population of Latvia that lives, works and spends time on the shores of the Baltic Sea. In the form of short, kaleidoscopic stories the film captures and reflects on people’s habits, needs and dreams. To what extent the importance of the sea is to meet our basic needs and - how important is it to our spirit?

Brothers Robert and Martin are a month away from their largest art exhibition. To get creative juices flowing, Martin locks himself in a black cube. Once out, brothers fall into a wild rollercoaster of events existing on the very edge of the chaos, examining the thin line between the artist’s creativity and mental troubles.

A bureaucrat who has just declared himself as a new political force has disappeared… in a canteen; police are investigating. Combining the absurd and black humour, a harsh and ironic reflection on civil servants, cops, and contemporary art.

Ilze Burkovska, a little girl who is obsessed with stories of World War II and will be a filmmaker in a distant future, lives in Latvia under the totalitarian boot of the Soviets and the ominous shadow of the many menaces and horrors of the Cold War.

“Hike '44" is a personal story by director Lauris Abele and cinematographer Marcis Abele about how to maintain humanity when the world falls apart. The protagonist of the film, Melita Abele (89), retraces her refugee path from 1944, when, at the age of 14, she had to leave her home at the beginning of winter. Asking strangers for shelter, spend nights in the woods until she found refuge and warm hearts. Through the use of animation, the viewer will be guided through Melita's memories on a journey through recent and present-day Latvia until a series of events brings Melita to what she has been trying to accomplish for 75 years.

“Hike '44" is a personal story by director Lauris Abele and cinematographer Marcis Abele about how to maintain humanity when the world falls apart. The protagonist of the film, Melita Abele (89), retraces her refugee path from 1944, when, at the age of 14, she had to leave her home at the beginning of winter. Asking strangers for shelter, spend nights in the woods until she found refuge and warm hearts. Through the use of animation, the viewer will be guided through Melita's memories on a journey through recent and present-day Latvia until a series of events brings Melita to what she has been trying to accomplish for 75 years.

“Hike '44" is a personal story by director Lauris Abele and cinematographer Marcis Abele about how to maintain humanity when the world falls apart. The protagonist of the film, Melita Abele (89), retraces her refugee path from 1944, when, at the age of 14, she had to leave her home at the beginning of winter. Asking strangers for shelter, spend nights in the woods until she found refuge and warm hearts. Through the use of animation, the viewer will be guided through Melita's memories on a journey through recent and present-day Latvia until a series of events brings Melita to what she has been trying to accomplish for 75 years.

“Hike '44" is a personal story by director Lauris Abele and cinematographer Marcis Abele about how to maintain humanity when the world falls apart. The protagonist of the film, Melita Abele (89), retraces her refugee path from 1944, when, at the age of 14, she had to leave her home at the beginning of winter. Asking strangers for shelter, spend nights in the woods until she found refuge and warm hearts. Through the use of animation, the viewer will be guided through Melita's memories on a journey through recent and present-day Latvia until a series of events brings Melita to what she has been trying to accomplish for 75 years.

During Latvia’s centennial year, 15 filmmakers created each his own film portrait of a person living in Latvia on the background of centenary events. Documentary 2018 combines these stories into a unique poetic vision based on analogy with the documentary 235 000 000, a classic of the Riga school of poetic documentary cinema. This film is an attempt to make sure whether the codes of the poetic cinema are still relevant and accessible today.

DocuDrama about 13th century pre-Christian culture. Danish spy Lars enters the tribal lands of the Baltic peoples, where he takes part in religious rites, cruel forays, gets high during the Summer Solstice, becomes slave to the Couronians and even fights the crusaders. Who were the last pagans of Europe and how did they live? It is a unique trip into the textures of the past and into the unknown lands of the Baltic Tribes.

Curonians is a historical documentary about one of the ancient Baltic tribes. The Curonians lived in the western parts of modern-day Latvia from the 5th until the 16th century. They eventually merged with other Baltic peoples to form the Latvian nation. The docu-mentary utilizes reenacted scenes, interviews with known historians and 3D animation to tell the story of this brave warrior tribe. They were feared even by their Scandinavian neighbors and remained one of the last remaining pagan tribes in Europe. Evidence of Curonian rituals can be found as late as the 19th century. The film offers a brief insight into their lives, culture, customs and beliefs. It tells about their moments of strength, victory and also their defeats.

Ralf, 35, is saving his relationship by taking his girlfriend’s son on a boat trip with an aim to establish himself as a father figure. Not a wildlife expert himself, he also takes on board his office buddy, and it soon becomes clear that this unpredictable, flamboyant womaniser is a world away from being an example to look up to. As Ralf tries to protect the boy from his friend's unsophisticated look on gender and sexuality, soon they are confronted with the realities of the sharp winding river and the roughness of Latvian nature.