Self
Traces the Beats from Allen Ginsberg and Jack Kerouac's meeting in 1944 at Columbia University to the deaths of Ginsberg and William S. Burroughs in 1997. Three actors provide dramatic interpretations of the work of these three writers, and the film chronicles their friendships, their arrival into American consciousness, their travels, frequent parodies, Kerouac's death, and Ginsberg's politicization. Their movement connects with bebop, John Cage's music, abstract expressionism, and living theater. In recent interviews, Ginsberg, Burroughs, Kesey, Ferlinghetti, Mailer, Jerry Garcia, Tom Hayden, Gary Snyder, Ed Sanders, and others measure the Beats' meaning and impact.
As a young film student immersed with the works of Godard and cinema verite, Will Combs barged into the backyard of the remaining Beats in San Francisco’s North Beach in the mid-1970’s. Using surplus film stock and a spring-wind Bolex, he began to capture the temperament of the Era, kabuki style. HEARTBEAT features rare and personal footage of Bob Kaufman, Jack Micheline and Hube the Cube in their environment, infusing poetry with a concise inquiry into the Beat Era.
