Christian is on family vacation with his wife and son. One day he meets Luca, an old friend, at the bar on the beach. This sudden emergence from the past bothers Christian. Luca asks Christian to restart a game interrupted many years ago...
Feast of Fertility Orgyist
We are with Pasolini during the last hours of his life, as he talks with his beloved family and friends, writes, gives a brutally honest interview, shares a meal with Ninetto Davoli, and cruises for the roughest rough trade in his gun-metal gray Alfa Romeo. Over the course of the action, Pasolini’s life and his art (represented by scenes from his films, his novel-in-progress Petrolio, and his projected film Porno-Teo-Kolossal) are constantly refracted and intermingled to the point where they become one.
