Stewardess Petroi
We are with Pasolini during the last hours of his life, as he talks with his beloved family and friends, writes, gives a brutally honest interview, shares a meal with Ninetto Davoli, and cruises for the roughest rough trade in his gun-metal gray Alfa Romeo. Over the course of the action, Pasolini’s life and his art (represented by scenes from his films, his novel-in-progress Petrolio, and his projected film Porno-Teo-Kolossal) are constantly refracted and intermingled to the point where they become one.
Depressed woman
Sharing the same psychologist, kleptomaniac Roberto, who writes stories a bit too realistic and scary for kids, and a narcoleptic Beatrice, who documents everything in her life, begin to think that love could be the cure for their problems. But nothing comes easy to either of them, and, just like in one of Roberto's stories, the happy ending really needs to be sought after. Will they find their own?
