Director
Part of Zineb Sedira's art installation for the French Pavilion at the 59th Venice Biennale. A piece where Sedira explores her passion for the militant cinema of the 60s and 70s.
Part of Zineb Sedira's art installation for the French Pavilion at the 59th Venice Biennale. A piece where Sedira explores her passion for the militant cinema of the 60s and 70s.
Director
"One sees a close-up shot of a glass being filled with water. Bubbles are formed but slowly the water regains its still quality. The glass then acts as a deformative device between the viewer and the artist, as a hand is writing "don't do to her what you did to me" on the back of the photographs. Everything is still again for a short while until, slowly and majestically, a flush of black ink flows downwards, staining the water... The ink preludes the more dramatic fate of the repeated haunting images, the deceased woman. One hears a metallic sound as the photographs move in a more frenetic spin. One is aware of the glass again, of the limited space where a struggle takes place between a probable spoon and the photographs which dematerialise under one's eyes. The sheer immediacy of the destruction process is intensified as the image dissolves into an organic paste. Then, a woman, the artist, drinks the solution, the last ironic phase of the talisman." -S.Z
Narration
A video installation where the camera brackets a woman’s eyes so that they inhabit the entire field of view.
Producer
A video installation where the camera brackets a woman’s eyes so that they inhabit the entire field of view.
Director
A video installation where the camera brackets a woman’s eyes so that they inhabit the entire field of view.
Director
The video shows the artist almost obsessively writing an autobiographical text in French onto her own hand, until the repeated overlays of words come to resemble a mysterious, intricate, Arabesque pattern. The process of writing functions as a mark of identity, a determination to write her own subjective experience into representational narratives, to inscribe her own fiction of identity. [Overview courtesy of Lux Online]
Director
[Overview Courtesy of Lux Online] In French this is called a 'Youyou', a sound made by women mainly to celebrates happy occasions but also was used during the Algerian war of liberation by women as a weapon against French soldiers. Issues of body representation are here explored by using a part of the body.
