Dede Ayite

Anthony Davis’s groundbreaking and influential opera, which premiered in 1986, arrives at the Met at long last. Theater luminary and Tony-nominated director of Slave Play Robert O’Hara oversees a potent new staging that imagines Malcolm as an everyman whose story transcends time and space. An exceptional cast of breakout artists and young Met stars enliven the operatic retelling of the civil rights leader’s life. Baritone Will Liverman, who triumphed in the Met premiere of Fire Shut Up in My Bones, is Malcolm, alongside soprano Leah Hawkins as his mother, Louise; mezzo-soprano Raehann Bryce-Davis as his sister Ella; bass-baritone Michael Sumuel as his brother Reginald; and tenor Victor Ryan Robertson as Nation of Islam leader Elijah Muhammad. Kazem Abdullah conducts the newly revised score, which provides a layered, jazz-inflected setting for the esteemed writer Thulani Davis’s libretto.

Experience Shakespeare’s comedic masterpiece from the Public Theater’s Shakespeare in the Park. Set in South Harlem, the play tells the story of the trickster Falstaff and the wily wives who outwit him in a celebration of Black joy, laughter and vitality.

This documentary follows the cast, crew and staff of the world-famous Public Theater as they prepare to mount an all-black adaptation of Shakespeare’s “Merry Wives,” at the open-air Delacorte Theater in New York City. Contending with the ever-present threat of COVID-19 and one of the rainiest Julys on record, the production marks the return of live theatre following more than a year of closures in the city.

With music by Duke Ellington, Harold Arlen, Dorothy Fields and more framed by the poems of Langston Hughes, this exhilarating song and dance extravaganza features 28 of the big band era’s most memorable songs and showcases the gorgeous glamour and sophisticated syncopation of the Harlem heartbeat after midnight.

Charismatic African-American boxer Jay “The Sport” Jackson has a burning desire to become the undisputed heavyweight champion of the world. Jackson’s fight begins long before the match, though; it takes careful negotiations to convince the white reigning titleholder to even recognize him as a worthy opponent and enter the ring.

In a segregated army camp in Louisiana in 1944, a black sergeant is shot dead after crying out "they still hate you." As the play examines the murder, the truth of it becomes more shocking and hateful than the murder itself.