Art Direction
Tse Mei-chen is deeply concerned about her only family, sister Bo-chen who is obsessed with perfecting her detective sensibilities. One day, Bo-chen returns home in panic to relay to her sister and her boyfriend detective Ma Tin-lung the horrifying murder of Siu-ying by her husband Tsui Kai. But a subsequent visit to the couple's, the cousin of Bo-chen's best friend Wong Kam-fung, proves the alleged crime false. Incognizant to all, the victim was Siu-ying's twin sister Kwok-ying, who bore witness to Tsui's misappropriation of their wealth for drug trafficking. Refusing to abandon the probe, Bo-chen is held up by Tsui. Deeply perturbed by Ma's investigation into his secret dealings, Tsui coerces Mei-chen to distract her boyfriend long enough for his escape. Refusing to bow to the threat, Mei-chen informs Ma who leads his squad to the rescue of the sister and arrests Tsui and his accomplices.
Art Direction
Having lost her mother, young girl Bobo (Fung Bo-bo) lives with her honest but incapable father until her stepmother and a wizard conspires to kill her. While escaping, she picks up a magic cup. With the help of the powerful genie in the cup, Bobo embarks on a fantastic adventure featuring giants, magic and treasures. The composited special effects in the film are fascinating: the horizontal ancient well, the giant hand controlled by electricity, the grand palace and the incredible mountain ranges embellish an Aladdin-like story. After its first run in cinemas, this film enjoyed popular second runs, matinees and numerous screenings on television, entertaining many generations of Hongkongers.
Art Direction
Yim Tai-hung stages a diamond heist but one of his men slips away with a diamond necklace. Sustaining a fatal wound, the betrayer gives the necklace to his friend Chow Ping at Rose Apartment before he expires. Chow calls her cousin Wu Nga for help. But Wu, Wong Ang and Heung At come too late. She however manages to reveal the whereabouts of the necklace at her last breath. The trio is framed for the murder but is later acquitted. Striving to crack the case, Wong infiltrates the apartment at night and uncovers the necklace, which is then used to lure the real culprit out. But her plan is foiled by a young and reckless Wu who falls into Yim's trap. Luckily Wong and Heung deliver the hostage to safety while the police arrest Yim's accomplices and kill the ringleader in the ensuing shootout.
Art Direction
The three heroines, Wong Ang, Wu Nga, and Heung At expose a murder case involving three dead bodies found in an old temple. Unbeknown to the trio, they've fallen in a trap laid by gangster Hui Pui-shing, who desires to avenge his brother's death by eliminating the women. With the cooperation of Hui's righteous subordinate, the police arrest Hui for smuggling tobacco and seizes their forged banknotes.
Art Designer
Production company Taoyuan chose for its inaugural film a comedy and Fong Yim-fun gets to take a break from playing long-suffering roles and showcase her talents in making us laugh! She plays the spritely titled character, brandishing a fresh image. The film is an adaptation of the literary classic Romance of the Western Chamber, in which the Prime Minister's daughter (Law Yim-hing), under siege from rebel soldiers, is rescued by a plan formulated by a poor scholar (Law Kim-long), with whom she is in love. But her mother (Poon Yat On) reneges afterwards on her promise to let the rescuer marry the daughter, and the clever Red Maid steps up as go-between, devising a series of sharp-witted tactics to help the lovers.