Vishal Daryanomel

Movies

partitions
Editor
Partitions draws on photographs, state documents, audio recordings and footage of domestic spaces and routines, to tell a story of Sindhi migration following the Partition of India in 1947. Inspired by the life of a woman who was born in Hyderabad, Sindh, grew up in Madras (Chennai) and lived the rest of her life as a Singaporean, the film juxtaposes fragmented recollections of the past with enduring practices of the present.
partitions
Cinematography
Partitions draws on photographs, state documents, audio recordings and footage of domestic spaces and routines, to tell a story of Sindhi migration following the Partition of India in 1947. Inspired by the life of a woman who was born in Hyderabad, Sindh, grew up in Madras (Chennai) and lived the rest of her life as a Singaporean, the film juxtaposes fragmented recollections of the past with enduring practices of the present.
partitions
Director
Partitions draws on photographs, state documents, audio recordings and footage of domestic spaces and routines, to tell a story of Sindhi migration following the Partition of India in 1947. Inspired by the life of a woman who was born in Hyderabad, Sindh, grew up in Madras (Chennai) and lived the rest of her life as a Singaporean, the film juxtaposes fragmented recollections of the past with enduring practices of the present.
Between Pudukkottai & Singapore
Producer
This short documentary features poet N Rengarajan, a migrant worker from Pudukkottai, India who sustains a practice of poetry as a way of life while working in the construction sector in Singapore. The film, structured around three of his poems, seeks to visually mirror the rhythm and tone of his writing. Together, verse and visuals strive to draw attention to the poet's acute illuminations of the realities of migrant life.
Between Pudukkottai & Singapore
Director
This short documentary features poet N Rengarajan, a migrant worker from Pudukkottai, India who sustains a practice of poetry as a way of life while working in the construction sector in Singapore. The film, structured around three of his poems, seeks to visually mirror the rhythm and tone of his writing. Together, verse and visuals strive to draw attention to the poet's acute illuminations of the realities of migrant life.