Editor
A story after 100 years from now. A man, Komori who could not receive education and lived by the flow of life came to attend a funeral in a small town that is remote. So, by chance I meet Uchida who is a childhood friend. He is growing up as an intelligent man with a realistic ambition of "conquering the universe."
Screenplay
A story after 100 years from now. A man, Komori who could not receive education and lived by the flow of life came to attend a funeral in a small town that is remote. So, by chance I meet Uchida who is a childhood friend. He is growing up as an intelligent man with a realistic ambition of "conquering the universe."
A story after 100 years from now. A man, Komori who could not receive education and lived by the flow of life came to attend a funeral in a small town that is remote. So, by chance I meet Uchida who is a childhood friend. He is growing up as an intelligent man with a realistic ambition of "conquering the universe."
Director
A story after 100 years from now. A man, Komori who could not receive education and lived by the flow of life came to attend a funeral in a small town that is remote. So, by chance I meet Uchida who is a childhood friend. He is growing up as an intelligent man with a realistic ambition of "conquering the universe."
Ueda, Koike and Keiko are in their fourth year at university. The time limit on their paradise of university is drawing to a close, and they are all feeling impatient in their own ways. Keiko is unable to find a job. Ueda is unsure of Keiko's feelings. Koike is torn between her dream of becoming a novelist and the reality of finding a job. The summer is passing. As if to hold on to their time in paradise, they enjoy a late night of fireworks. In his dreams, Koike sees a strange family picture. The image of the three of them sitting around a make-shift table on a riverbank overgrown with summer grass softly and unobtrusively conveys to the viewer their anxiety about their ambiguous future. The film's sincere image of adolescence is heartbreaking.
Producer
Ueda, Koike and Keiko are in their fourth year at university. The time limit on their paradise of university is drawing to a close, and they are all feeling impatient in their own ways. Keiko is unable to find a job. Ueda is unsure of Keiko's feelings. Koike is torn between her dream of becoming a novelist and the reality of finding a job. The summer is passing. As if to hold on to their time in paradise, they enjoy a late night of fireworks. In his dreams, Koike sees a strange family picture. The image of the three of them sitting around a make-shift table on a riverbank overgrown with summer grass softly and unobtrusively conveys to the viewer their anxiety about their ambiguous future. The film's sincere image of adolescence is heartbreaking.
Script
Ueda, Koike and Keiko are in their fourth year at university. The time limit on their paradise of university is drawing to a close, and they are all feeling impatient in their own ways. Keiko is unable to find a job. Ueda is unsure of Keiko's feelings. Koike is torn between her dream of becoming a novelist and the reality of finding a job. The summer is passing. As if to hold on to their time in paradise, they enjoy a late night of fireworks. In his dreams, Koike sees a strange family picture. The image of the three of them sitting around a make-shift table on a riverbank overgrown with summer grass softly and unobtrusively conveys to the viewer their anxiety about their ambiguous future. The film's sincere image of adolescence is heartbreaking.
Music
Ueda, Koike and Keiko are in their fourth year at university. The time limit on their paradise of university is drawing to a close, and they are all feeling impatient in their own ways. Keiko is unable to find a job. Ueda is unsure of Keiko's feelings. Koike is torn between her dream of becoming a novelist and the reality of finding a job. The summer is passing. As if to hold on to their time in paradise, they enjoy a late night of fireworks. In his dreams, Koike sees a strange family picture. The image of the three of them sitting around a make-shift table on a riverbank overgrown with summer grass softly and unobtrusively conveys to the viewer their anxiety about their ambiguous future. The film's sincere image of adolescence is heartbreaking.
