Kenta Fukasaku

A new featurette about director Kinji Fukasaku and his work, featuring interviews with Kenta Fukasaku and film critic and Fukasaku biographer Sadao Yamane.

Ken Katakura (Naoto Takenaka) has worked as a salaryman for the past 25 years. He's on his way to Malaysia to stop his daughter's wedding. Unfortunately for Ken, the plane makes an emergency landing in a remote part of Malaysia, far from the capital city of Kuala Lumpur where he needs to go. With only 2 days left until his daughter marries, Ken looks for a way to get to Kuala Lumpur. Ken then comes across an odd Chinese truck driver named "Mary" and, with his help, sets out for Kuala Lumpur.

Elementary student Tanabe Kento is struggling to draw a map of his town for his summer vacation homework. One day, a fracas occurs involving a mysterious man, junkman. After that, Kento discovers a Hiroshima that he'd never known, and decides to draw a map of his very own.

It was a novel based on the incident that occurred in reality, and the series began in 1960 with "Weekly Shincho".

A young Japanese man named Kota Tanaka (Osamu Mukai) works to raise money and then build an elementary school in Cambodia.

Six classmates receive an email from Asuka, who they thought had committed suicide, asking them to meet her later that night. But when they are attacked by a girl in a rat mask, the students realize that someone is out for revenge!

The seventh film of “The Perfect Education” series tells the tale of a man and a girl who pursue love to the point of madness. With erotic dances and love scenes shot in 3D, the film dpicts a “pure love” story tied with sexual desires. “Welcome home, Master!” Kabashima is a regular at the maid cafe. He is head over heels in love with Ichigo, a maid who works there. On her birthday, he is waiting for her by the back door, she exits finally…several hours later, she awakes only to find herself surrounded by thin, plywood walls, her feel, hand, and mouth bound and gagged with packing tape. Amid the darkness, Kabashima quietly opens his mouth, “this is our house. Let’s live intimately together.”

Four segments by four different Directors. Kiriko (Takanori Tsujimoto), The Children’s Samurai (Kenta Fukasaku), The Firing Range (Makoto Tahara), and Assault Girl 2 (Mamoru Oshii). Kiriko: the spirit of a murdered assassin takes revenge on the gang that killed her and her sister. Children's Samurai: an educational film narrates the like of a modern grade-school samurai dealing with bullies. Firing Range: the rifle of a Meiji Era soldier and the pistol of a modern police officer are transformed into powerful new weapons when they face off. Assault Girl 2: two guardian angels duel in a wheat field.

Recovering from a failed love affair Shiyori heads to the country, in the company of best friend and bad girl Aiko. Having taken a long soak in the hot spring they retire to their respective cabins. They soon discover that the tranquil village is the home of a cult with a fetish for cutting off female legs. Trying to escape they are split up and keep in touch via their mobile phones. Multiple points of view and time frames keeps the viewer on their toes trying to discern the grisly fate of these "lost" girls.

Recruited by a clandestine police organization, "K" must stop a plot by student radicals to create anarchy in Japan. Armed with a hi-tech steel yo-yo, and a new name (Asamiya Saki), she must infiltrate an elite high school to find the terrorists but finds an even more sinister plan is about to unfold.

When Tetsuya (Yosuke Kubozuka) was 10-years-old he met Emi (Meisa Kuroki), who suffered from a heart disease. In hopes to cure Emi's condition, Tetsuya decided to become a doctor. Following through on his dreams, Tetsuya is now a doctor and is about to marry Emi. One day though, Tetsuya hears about Don (Edison Chen). Tetsuya remembers the times he spent with Emi and Don as a child and also feels insecure about Don.

Prolific director Kinji Fukasaku died suddenly during the production of Battle Royale 2. His son and screenwriter Kenta took over as director and completed the film.

Behind the scenes of Battle Royale II

It's three years after the events of the original Battle Royale, and Shuya Nanahara is now an internationally-known terrorist determined to bring down the government. His terrorist group, Wild Seven, stages an attack that levels several buildings in Tokyo on Christmas Day, killing 8000 people. In order for the government to study the benefits of "teamwork", the new students work in pairs, with their collars electronically linked so that if one of them is killed, the other dies as well. They must kill Nanahara in three days - or die.

It's three years after the events of the original Battle Royale, and Shuya Nanahara is now an internationally-known terrorist determined to bring down the government. His terrorist group, Wild Seven, stages an attack that levels several buildings in Tokyo on Christmas Day, killing 8000 people. In order for the government to study the benefits of "teamwork", the new students work in pairs, with their collars electronically linked so that if one of them is killed, the other dies as well. They must kill Nanahara in three days - or die.

It's three years after the events of the original Battle Royale, and Shuya Nanahara is now an internationally-known terrorist determined to bring down the government. His terrorist group, Wild Seven, stages an attack that levels several buildings in Tokyo on Christmas Day, killing 8000 people. In order for the government to study the benefits of "teamwork", the new students work in pairs, with their collars electronically linked so that if one of them is killed, the other dies as well. They must kill Nanahara in three days - or die.

In the future, the Japanese government captures a class of ninth-grade students and forces them to kill each other under the revolutionary "Battle Royale" act.

In the future, the Japanese government captures a class of ninth-grade students and forces them to kill each other under the revolutionary "Battle Royale" act.

Set in the late 1950s, when geisha culture was threatened by moral crusades, it tells the story of Omacha (Miyamoto Maki), a young girl who sees the geisha life as a way to lift her poverty-stricken family from their hand-to-mouth existence. Through her eyes, we see the protocols and complex financial relationships which dictate the running of the geisha house. Fukasaku's film is a work of great delicacy with moments of hypnotic beauty, and his tender direction, often touched with a sense of wonder, fills the screen with lovingly constructed scenes. At its heart is the poignant situation of the women who must sacrifice their normal relationships to live an ambiguous life in which they are a key part of society while being kept, for the most part, on its periphery, like perpetual mistresses.

Takanosuke Ushio and Tae Horikawa are unable to forget each other, even though they met and fell in love 20 years ago. They had promised each other that they would build a retreat in Shiguretei, but Ushio was hospitalized after a stroke a few days later, and when his wife, Takako, rushed to the hospital, she discovered their love affair, which in reality had not gone beyond kissing. Now, 20 years later, against the advice of her ikebana mentor, Tae rushes to meet Ushio at Shiguretei, only to see him clutching his chest in pain. Eventually, the design and plans for the dream retreat are seen by Tae, but she has to visit Kyoto alone... or maybe she's heading for somewhere else.

Rick, a down-and-out American boxer, is hired to transport a sword to Japan, unaware that the whole thing is a set up in a bitter blood-feud between two brothers, one who follows the traditional path of the samurai and the other a businessman. At the behest of the businessman, Rick undertakes samurai training from the other brother, but joins his cause. He also becomes romantically involved with the samurai's daughter.