Beck Underwood

People wearing masks covering their nose and mouth sit at the table. Their clothes, however, suggest the nineteenth century in the American countryside, and not a time of pandemic chaos. Everyday work is suddenly interrupted by the arrival of an inquisitive spirit. Stop-motion animation with actors.

People wearing masks covering their nose and mouth sit at the table. Their clothes, however, suggest the nineteenth century in the American countryside, and not a time of pandemic chaos. Everyday work is suddenly interrupted by the arrival of an inquisitive spirit. Stop-motion animation with actors.

People wearing masks covering their nose and mouth sit at the table. Their clothes, however, suggest the nineteenth century in the American countryside, and not a time of pandemic chaos. Everyday work is suddenly interrupted by the arrival of an inquisitive spirit. Stop-motion animation with actors.

People wearing masks covering their nose and mouth sit at the table. Their clothes, however, suggest the nineteenth century in the American countryside, and not a time of pandemic chaos. Everyday work is suddenly interrupted by the arrival of an inquisitive spirit. Stop-motion animation with actors.

An anthology of nine horror shorts filmed under the social distancing and self-isolation requirements of the COVID-19 outbreak.

Produced for Glass Eye Pix as part of their 2018 Creepy Christmas Film Festival, in which each short is inspired by a holiday-themed word. This film, the eighteenth in the series, is inspired by the word "wrapping paper."

Produced for Glass Eye Pix as part of their 2018 Creepy Christmas Film Festival, in which each short is inspired by a holiday-themed word. This film, the ninth in the series, is inspired by the word "Christmas tree."

Produced for Glass Eye Pix as part of their 2018 Creepy Christmas Film Festival, in which each short is inspired by a holiday-themed word. This film, the ninth in the series, is inspired by the word "Christmas tree."

Produced for Glass Eye Pix as part of their 2018 Creepy Christmas Film Festival, in which each short is inspired by a holiday-themed word. This film, the ninth in the series, is inspired by the word "Christmas tree."

In an old barn slated for teardown, a vintage doll, a mysterious barn spirit and some mischievous farm critters come together in a story about motherhood, creativity and letting go.

In an old barn slated for teardown, a vintage doll, a mysterious barn spirit and some mischievous farm critters come together in a story about motherhood, creativity and letting go.

In an old barn slated for teardown, a vintage doll, a mysterious barn spirit and some mischievous farm critters come together in a story about motherhood, creativity and letting go.

In an old barn slated for teardown, a vintage doll, a mysterious barn spirit and some mischievous farm critters come together in a story about motherhood, creativity and letting go.

In an old barn slated for teardown, a vintage doll, a mysterious barn spirit and some mischievous farm critters come together in a story about motherhood, creativity and letting go.

In an old barn slated for teardown, a vintage doll, a mysterious barn spirit and some mischievous farm critters come together in a story about motherhood, creativity and letting go.

A dress shop in Soho, New York, comes alive when night falls.

A dress shop in Soho, New York, comes alive when night falls.

A dress shop in Soho, New York, comes alive when night falls.

Produced for Glass Eye Pix as part of their 2008 Creepy Christmas Online Film Festival, in which each short was inspired by the inhabitants of a Christmas diorama advent calendar. Each filmmaker was assigned a specific date and given the props that were used in that window to use in their short. This is the seventeenth film in the series.

Produced for Glass Eye Pix as part of their 2008 Creepy Christmas Online Film Festival, in which each short was inspired by the inhabitants of a Christmas diorama advent calendar. Each filmmaker was assigned a specific date and given the props that were used in that window to use in their short. This is the seventeenth film in the series.

Produced for Glass Eye Pix as part of their 2008 Creepy Christmas Online Film Festival, in which each short was inspired by the inhabitants of a Christmas diorama advent calendar. Each filmmaker was assigned a specific date and given the props that were used in that window to use in their short. This is the ninth film in the series.

Produced for Glass Eye Pix as part of their 2008 Creepy Christmas Online Film Festival, in which each short was inspired by the inhabitants of a Christmas diorama advent calendar. Each filmmaker was assigned a specific date and given the props that were used in that window to use in their short. This is the ninth film in the series.

18th century justice catches up with a pair of grave robbers. With only a few hours to go before his date with the guillotine, Arthur Blake tells his life story to Father Francis Duffy. Before long, Arthur spills the beans on how he got started in the grim corpse peddling business with seasoned ghoul Willie Grimes.

A young boy reads a spooky storybook by flashlight, as the story's sinister events begin to manifest around him.

A young boy reads a spooky storybook by flashlight, as the story's sinister events begin to manifest around him.

A young boy reads a spooky storybook by flashlight, as the story's sinister events begin to manifest around him.

A young boy reads a spooky storybook by flashlight, as the story's sinister events begin to manifest around him.

Geoffrey (Stephen Ramsey) and Lillian (Miriam Healy-Louie) are a couple spending the summer in the country in hopes of smoothing over some rough patches in their relationship. However, Geoffrey, who is a research scientist, has brought his work with him, which hardly helps, since Lillian's biggest problem with him is that he doesn't spend any time with her, and he seems more concerned with his career than his marriage. This is all the more galling for Lillian because she has given up her career as an artist in order to be more supportive of Geoffrey's work. Geoffrey is also upset because he's only been able to use mice for his lab experiments with new medications, and he is eager to begin working with larger animals; in his impatience, he begins trapping dogs, and he eventually catches the pet of a little girl named Frances (Ashley Arcemont).

Geoffrey (Stephen Ramsey) and Lillian (Miriam Healy-Louie) are a couple spending the summer in the country in hopes of smoothing over some rough patches in their relationship. However, Geoffrey, who is a research scientist, has brought his work with him, which hardly helps, since Lillian's biggest problem with him is that he doesn't spend any time with her, and he seems more concerned with his career than his marriage. This is all the more galling for Lillian because she has given up her career as an artist in order to be more supportive of Geoffrey's work. Geoffrey is also upset because he's only been able to use mice for his lab experiments with new medications, and he is eager to begin working with larger animals; in his impatience, he begins trapping dogs, and he eventually catches the pet of a little girl named Frances (Ashley Arcemont).

Coco Dupree is a New York performance artist who makes a living dancing topless in a bar. There she meets a mob boss who calls himself God, a thug named Richie, and a kept woman named Desiree.

Coco Dupree is a New York performance artist who makes a living dancing topless in a bar. There she meets a mob boss who calls himself God, a thug named Richie, and a kept woman named Desiree.