Cash Robinson

Shot in and around my home. Projections are from ???? ???????????????????????????????? ???????? ???????? ???????????????????????? ???????? 21. Made with the help of my friends.

Is this all we are? Is this all we have? Inspired by the the song "It's All Forgotten Now" by Al Bowlly.

A dialogue on love.

Another love story from Drew Gebhardt.

The daughter of a boxer must find her own strength when her father retires due to an illness.

The daughter of a boxer must find her own strength when her father retires due to an illness.

Part of a Doctoral Study in Music Conducting by Davaron Edwards titled "Reimagining the Wind Band Through the Lens of Blaxploitation Films". The film is set to the musical composition by Omar Thomas titled "The Low-Down Brown Get-Down" which "is the soundtrack for a nonexistent blaxploitation film. It pulls from various sounds and styles of African-American folk music, such as funk, R&B, soul, early hip hop, the blues, and even film noir to stitch together its 'scenes.' The title pulls from and is inspired by 'post-jive' African-American Vernacular English (AAVE). The word 'Brown' in the title, in addition to its reference to none other than the Godfather of Soul, James Brown, whose most-famous licks and bass lines pepper the intro and recur throughout the piece, also refers to the melanin of the people who created these sounds."

Part of a Doctoral Study in Music Conducting by Davaron Edwards titled "Reimagining the Wind Band Through the Lens of Blaxploitation Films". The film is set to the musical composition by Omar Thomas titled "The Low-Down Brown Get-Down" which "is the soundtrack for a nonexistent blaxploitation film. It pulls from various sounds and styles of African-American folk music, such as funk, R&B, soul, early hip hop, the blues, and even film noir to stitch together its 'scenes.' The title pulls from and is inspired by 'post-jive' African-American Vernacular English (AAVE). The word 'Brown' in the title, in addition to its reference to none other than the Godfather of Soul, James Brown, whose most-famous licks and bass lines pepper the intro and recur throughout the piece, also refers to the melanin of the people who created these sounds."

Part of a Doctoral Study in Music Conducting by Davaron Edwards titled "Reimagining the Wind Band Through the Lens of Blaxploitation Films". The film is set to the musical composition by Omar Thomas titled "The Low-Down Brown Get-Down" which "is the soundtrack for a nonexistent blaxploitation film. It pulls from various sounds and styles of African-American folk music, such as funk, R&B, soul, early hip hop, the blues, and even film noir to stitch together its 'scenes.' The title pulls from and is inspired by 'post-jive' African-American Vernacular English (AAVE). The word 'Brown' in the title, in addition to its reference to none other than the Godfather of Soul, James Brown, whose most-famous licks and bass lines pepper the intro and recur throughout the piece, also refers to the melanin of the people who created these sounds."

A hitch-hiking trucker sets out to reconnect with his estranged nephew in Las Vegas.

A hitch-hiking trucker sets out to reconnect with his estranged nephew in Las Vegas.

A hitch-hiking trucker sets out to reconnect with his estranged nephew in Las Vegas.

A hitch-hiking trucker sets out to reconnect with his estranged nephew in Las Vegas.

A hitch-hiking trucker sets out to reconnect with his estranged nephew in Las Vegas.

A young veteran overwhelmed by grief returns home and must make peace with his new reality.

Maybe Freud was right, and maybe the hot take economy was a mistake. A talky comedy about the male psyche and its obsession with the phallus.

A country star discusses his experiences on the heartworn highways of the open road.

A country star discusses his experiences on the heartworn highways of the open road.

A game of pickup basketball awakes inner desire.